A stairway, also of cane, leads to the second story, and little
balconies surrounding the colored windows give one a lovely view of
the entire valley and surrounding hills. I wish it were in my power
to give some idea of the bountiful flowers which are forever opening
up their pretty perfumed faces in this entrancing spot; there are
thousands of roses, of all colors and shades, from the size of a gold
dollar to that of the fashionable female's hat. One spot shows tiny
flowers fit for the fairies, of wonderful shade and mold; next would
be a large, healthy, rugged tree, which bore flowers as delicate and
dainty as any plant in existence. It reminded one of a strong father
with his tiny babe in his protecting arms; the handsome avenues are
perfect bowers of beauty; the little birds in the foliage twitter
softly but incessantly. It is all life, but in a subdued, gentle
monotone, soft as the last lullaby over the little child who has closed
its eyes and, with a smile, joined that heavenly band to which it
rightly belongs.
This is the only place in Mexico where we found a man who knew enough
to have the flowers separated by a green lawn. It is the universal
rule here to grow anything but grass, which is considered an unsightly
weed. A Spanish gentleman once took me to see the grounds surrounding
a Mexican mansion. The trees, flowers, and shrubs, as well as the
statuary and fountains, could not be excelled, but the ground was bare
as Mother Hubbard's cupboard, and swept as clean as a dancing floor.
"This place cost more than five million dollars, and thousands more
yearly," explained the gentleman. "You have nothing in the States to
compare with it."
Cordoba supports three public schools and male and female academies,
one theater and about thirty churches. The finest church, located
next to the plaza, cost thousands of dollars. It has a marble floor
and twenty altars, dressed in the finest lace, with silver and gold
ornaments. The frescoing displays exquisite workmanship. The images are
wax-clad, and quaint.
Public-domain text, read in full here on John Shaqi.
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