The judge nods to the bugler, and as he trumpets forth the gate is
swung open and the grand entry is made. First comes "El Capitan" or
matador, chief of the ring, and the men who kill the bull with a sword.
Next eight capeadores, whose duty consists in maddening the bull and
urging it to fight by flinging gay-colored _capas_ or capes in its
face. Two picadores, who are armed with long poles, called picas, in
the end of which are sharp steel spears which they fight the bull
with. After come the lazadores, dressed in buckskin suits, elaborately
trimmed with silver ornaments and broad, expensive sombreros. They ride
fine horses, and do some very pretty work at lassoing. Three mules
abreast, with gay plumes in their heads, and a man with a monstrous
wheelbarrow of ancient make, close up the rear. All range before the
judge and make a profound bow, after which the mules and wheelbarrow
disappear.
The dresses of the fighters are very gorgeous: satin knee-breeches and
sack coat of beautiful colors, and highly ornamented, beaded, etc. On
the arm is carried the _capa,_ a satin cape, the color of the suits,
and little rough caps, tied under the chin, grace the head. At the back
of the head is fastened false hair, like a Chinaman's, familiarly known
as "pig tail." Two gayly painted clowns, who, unlike those in the
States, never have anything to say, are always necessary to complete
the company in the ring.
Again the bugle sounds, the band strikes out in all its might, the
people rise to their feet and cry "_El toro,"_ the fighters form a
semicircle around a door, el capitan draws a bolt, flings it open, and
as the bull springs forth from his dark and narrow cell a man perched
above sticks two _banderillas_ into his neck to madden him. With a
snort of rage he rushes for the _capas._ As they are flirted before his
eyes, he tramples them under his hoofs, and the _capeadores_ escape
behind the _bourladera,_ a partition six feet wide, placed in the arena
at four places equally distant.
At the trumpet sound a banderilla runs out waving the banderillas above
his head. He faces the maddened bull with a calm smile. The bull paws
the ground, lowers his head, and with a bellow of rage makes for his
victim. Your eyes are glued to the spot.
It is so silent you can hear your heart throb. There can be no possible
escape for the man. But just as you think the bull will lift him on his
horns you see the two banderillas stuck one in either side of the neck,
and the man springs safely over the lowered head and murderous horns
of the infuriated animal, as it rushes forward to find the victim has
escaped. The audience shout "bravo," and wave their serapes, sombreros
and clap their hands. The bull roars with pain, and the banderillas
toss about in the lacerated flesh, from which the blood pours in
crimson streams. "Poor beast! what a shame," we think, and even then
the order is given for the picador to attack the bull.
Public-domain text, read in full here on John Shaqi.
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