The little idols perhaps attract more attention than anything else at
the museum. In two long rooms the cases lining the walls are filled
with idols of all sizes and shapes, made of stone onyx and marble.
Some of the pottery is horribly exquisite. Beads used by the Indians,
made of stones, teeth and bones, are numerous. The large objects on
the pedestals come in for a share of wonder. They are adorned with
names of wondrous length and non-pronounceable, and stories of horror.
Izcozauhqui (the Fire of the Sun) is in ugly red and yellow clay;
Huitzilopoxtli (the God of War), a black clay image, equally ugly.
A clay urn with carved faces, flowers and fruits on the outside, is
called the "Funeral Urn." The "Goddess of Death" is an image some
fifty inches in height, with large round eyes formed of bone, and
outstretched hands of the same material. Her skirts are formed of
serpents and her head is a skull. Large brown earthen jars, said
once to have held sacred fires, are among the collection. It may be
historically correct and all the horrible tales connected with these
things true, but the more one looks the less probable it seems, and
after all they may have been innocent statues and flower vases used
by this people in former days. It is just as likely, and easier to be
believed, for how can it be asserted, when they are unearthed after
centuries, that they were used for any special purpose. Of course the
more sensational the story the better for print, but it is much easier
to believe they were only harmless objects in some park or flower
garden.
History tells us the Aztecs knew no alphabet, and used in place certain
signs or figures for every subject--history, religion, feasts, wars,
famines, and even poetry. The art of writing in this manner was taught
by the priests, and handed down from father to son. Painters had to
be frequently called to decipher the documents, and were treated with
the highest consideration by the nobility. The manuscript employed was
made of maguey and other plants and of skins. The Spanish destroyed the
majority of these manuscripts, which would have been of great value if
preserved. A few are now in the museum. From an artistic point of view
they are horrid.
The colors they used in painting are nearly always indelible and
very bright. One of the paintings shows a snow-capped mountain.
Popocatepetl, and to the left the City of Mexico, entirely surrounded
by water. A fifty foot maguey paper painted in black, contains the
history of the Aztecs. How they left an island which held a temple and
came to Mexico, establishing the city, with all the principal events
which befell them in their wanderings. The battle of Noche Triste and
the advent of the Spanish, are carefully portrayed. This is one of the
famous picture writings, which are too tiresome to enumerate further.
Public-domain text, read in full here on John Shaqi.
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