England -- Social life and customs -- 20th century -- Fiction; Families -- England -- Fiction; Women -- England -- Fiction
"But, Aunt Sarah, we never think of you as old; you have such a
modern point of view."
Sarah Greene steadied herself and regained her normal tranquil
expression.
"I must be getting old," she announced, "because you're making me
feel quite sentimental. In fact the sooner we get off to the theatre
the better."
She rose and went with Mary to fetch her cloak, perfectly in command
of herself again, but a cold breath of foreboding had touched Roger.
All evening, at the theatre listening to the play, during the
intervals while he talked to his aunt and his wife, even in the taxi
driving home, he was teased by the recollection of Mrs. Greene's
face. He felt as if he had been given a clue to some puzzle, but not
a final clue that would unravel it.
Later, as he was falling asleep, he thought contentedly: well anyhow
she'll be here for ten days; perhaps she'll tell me; I might be able
to help, whatever it is.
IV
Sarah Greene wakened in the night straight from deep sleep to
considerable pain.
She had wakened often these last few months to that same rending pain
which numbed her elbow, ran up her under arm, stabbed fiercely at her
arm-pit and concentrated itself in an agonising grasp of her left
breast.
She had lain on her back panting and sweating, conscious of her heart
thumping unevenly, waiting for the first moment of relief when she
would be able to stretch out her hand for the opiate that was always
ready by her bed: an opiate too mild to give sleep, but strong enough
to dull the edge of the attack.
When this stage had been reached and she was no longer abandoned to
the horror of the moment, Mrs. Greene almost invariably found herself
betrayed into moments, and even hours, of pure panic, when
speculation as to the nature of her disease forced itself on her
reluctant mind.
Time and again she had brought herself to the point of deciding to
see a specialist; time and again she had told herself that she knew
what it was--cancer--and she would repeat the word, Cancer; cancer is
what is wrong with you Sarah Greene; but always there had been an
element of uncertainty to torment her with a hope too frail to build
on but too tough to disregard.
These hours of desperate indecision had culminated at last in the
appointment with Dr. Stiff, whose verdict left no loophole, as Mrs.
Greene remembered when the pain began to subside.
Instead, she was conscious of a feeling of comfortable relaxation.
The ugly possibility established as an inevitable fact, had lost its
horror; it simply had to be accepted and dealt with.
Public-domain text, read in full here on John Shaqi.
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