Six to Sixteen: A Story for GirlsEwing, Juliana Horatia
General
Six to Sixteen: A Story for Girls
Ewing, Juliana Horatia
England -- Juvenile fiction; Family life -- Juvenile fiction; Girls -- Juvenile fiction
No doubt it would be nice to read them "straight through." But we are
rather apt to devour books at a pace unfavourable to book-digestion, so
perhaps it will be better still to read them by bits, as one reads a
thing that "comes out in numbers."
And in short, at this point Eleanor took mine, and has read it, and I
have read hers. She lays down mine, saying, "But, my dear, you don't
remember all this?"
Which is true. What I have recorded of my first English home is more
what I know of it from other sources than what I positively remember.
And yet I have positive memories of my own about it, too.
I have hinted that my poor young mother did not look after me much. Also
that the Ayah, who had a mother's love and care for me, paid very little
attention to my being tidy in person or dress, except when I was
exhibited to "company."
But my mother was dead. Ayah (after a terrible parting) was left behind
in India. And from the time that I passed into Aunt Theresa's charge,
matters were quite changed.
I do remember the dresses I had then, and the keen interest I took in
the subject of dress at a very early age. A very keen interest was taken
in it by Aunt Theresa herself, by Aunt Theresa's daughters, and by the
ladies of Aunt Theresa's acquaintance. I think I may say that it formed
(at least one of) the principal subjects of conversation during all
those working hours of the day which the ladies so freely sacrificed to
each other. Mrs. Buller was truly kind, and I am sure that if I had
depended in every way upon her, she would have given to my costume as
much care as she bestowed upon that of her own daughters. But my parents
had not been poor; there was no lack of money for my maintenance, and
thus "no reason," as Aunt Theresa said, why my clothes should not be
"decent," and "decent" with Aunt Theresa and her friends was a synonym
for "fashionable."
Thus my first black frock was such an improvement (in fashion) upon the
pink silk one, as to deprive my deep mourning of much of its gloom. Mrs.
(Colonel) St. Quentin could not refuse to lend one of her youngest
little girl's frocks as a copy, for "the poor little orphan"; and a bevy
of ladies sat in consultation over it, for all Mrs. St. Quentin's things
were well worth copying.
"Keep a paper pattern, dear," said Mrs. Minchin; "it will come in for
the girls. Her things are always good."
And Mrs. Buller kept a paper pattern.
I remember the dress quite clearly. It is fixed in my mind by an
incident connected with it. It had six crape tucks, of which fact I was
very proud, having heard a good deal said about it. The first time Mr.
George came to our bungalow, after I had begun to wear it, I strutted up
to him holding my skirt out, and my head up.
"Look at my black frock, Mr. George," said I; "it has got six crape
tucks."
Matilda was most precocious in--at least--one way: she could repeat
grown-up observations of wonderful length.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account