Six to Sixteen: A Story for GirlsEwing, Juliana Horatia
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Six to Sixteen: A Story for Girls
Ewing, Juliana Horatia
England -- Juvenile fiction; Family life -- Juvenile fiction; Girls -- Juvenile fiction
One result of the confessed superiority of her opinion to mine is that I
give way to it sometimes even when I am not quite convinced, but only
helped by a little weak-minded reason of my own in the background. I
gave way in this instance, not altogether to her argument (for I am sure
_my_ biography will not be the history of a mind, but only a record of
small facts important to no one but myself), but chiefly because I think
that as one grows up one enjoys recalling the things that happened when
one was little. And one forgets them so soon! I envy Eleanor for having
kept her childish diaries. I used to write diaries too, but, when I was
fourteen years old, I got so much ashamed of them (it made me quite hot
to read my small moral reflections, and the pompous account of my
quarrels with Matilda, my sentimental admiration for the handsome
bandmaster, &c., even when alone), and I was so afraid of the boys
getting hold of them, that I made a big hole in the kitchen fire one
day, and burned them all. At least, so I thought; but one volume escaped
the flames, and the fun Eleanor and I have now in re-reading this has
made me regret that I burned the others. Of course, even if I put down
all that I can remember, it will not be like having kept my diaries.
Eleanor's biography, in this respect, will be much better than mine; but
still, I remember a good deal now that I dare say I shall forget soon,
and in sixteen more years these histories may amuse us as much as the
old diaries. We are all growing up now. We have even got to speaking of
"old times," by which we mean the times when we used to wade in the
brooks and----
But this is beside the mark, and I must not allow myself to wander off.
I am too apt to be discursive. When I had to write leading articles for
our manuscript periodical, Jack used to laugh at me, and say, "If it
wasn't for Eleanor's disentangling your sentences, you'd put parenthesis
within parenthesis till, when you got yourself into the very inside
one, you'd be as puzzled as a pig in a labyrinth, and not know how to
get back to where you started from." And I remember Clement--who
generally disputed a point, if possible--said, "How do you know she
wouldn't get back, if you let her work out each train of thought in
peace? The curt, clean-cut French style may suit some people, whose
brains won't stretch far without getting tired; but others may have more
sympathy with a Semitic cast of mind."
This excuse pleased me very much. It was pleasanter to believe that my
style was Semitic, than to allow, with Jack, that it tended towards that
of Mrs. Nickleby. Though at that time my notion of the meaning of the
word Semitic was not so precise as it might have been.
Public-domain text, read in full here on John Shaqi.
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