Six Women and the InvasionMéléra, Marguerite-Yerta
History
Six Women and the Invasion
Méléra, Marguerite-Yerta
World War, 1914-1918 -- Personal narratives
"Of course, you will cut your beautiful locks, besmear your cheeks, and
there you are. But tell me in earnest, Posy, do you think there will be
a war?"
I suppose my husband has a name of his own, but no one knows it. For the
whole family he is "Brother," and I call him "Posy."
Now Mr. Posy thought war unavoidable, and began to expound the reasons
that strengthened his opinion.
A little tired of the journey, happy to be again in the country, I
listened to the deep sounds of the dear voice I had not heard for the
last fortnight, but gave little heed to the meaning of his words.
Besides, I was so sure there would be no war at all! We began to lead a
blissful life; we enjoyed walks in the large garden, and praised the sun
and the green. What delightful holidays we would have! The mere thought
of it led to lyrism. O Nature! O Idyll! O blessed rest!
At first nothing happened to trouble our peace. It will be remembered
that the newspapers were rather encouraging. Optimism prevailed; my
husband alone talked of an impending conflict; but he wished it so
eagerly that I thought he might be mistaken in his prophecies. "War is
talked of every year," I said; "it is but a summer topic."
On the 26th of July there were alarming rumours, confirmed the day
after. We then began to talk of war, to talk always about that, to talk
of nothing else. Colette herself held no other conversation, and from
her crimson lips dropped no other words than mobilisation, armament,
concentration.
I shall never forget the night when troops crossed the village. I saw
war that night, war, the man-eater, the great killer, war himself. The
hour was grave. France was preparing to withstand her enemies, and was
sending her armies to protect the frontiers. Troops marched through the
village the whole night. First came the foot soldiers, who filed off to
the strains of the "Marseillaise" and the "Chant du Départ." Leaning out
of my window, in a nightgown, I tried to catch sight of something, and I
saw only a black flood, endlessly rolling on. The sight of this dark
mass which marched on and sang was striking indeed. The young voices had
an accent of resolution and rage, and gave the impression that all
hearts throbbed as if by one impulse. The men knew they were marching on
to death, and they sang as the volunteers of '92 may have sung.
Sometimes there was silence, and nothing was to be heard save the sound
of steps as rhythmical as a heavy shower.
Public-domain text, read in full here on John Shaqi.
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