American fiction -- 20th century; Short stories, American
She thought he began to look thinner and discouraged. Her heart ached
to add something good to eat to his meagre purchase, but her courage
failed at the act. She did not dare affront him. She knew the pride of
artists.
Miss Martha took to wearing her blue-dotted silk waist behind the
counter. In the back room she cooked a mysterious compound of quince
seeds and borax. Ever so many people use it for the complexion.
One day the customer came in as usual, laid his nickel on the showcase,
and called for his stale loaves. While Miss Martha was reaching for
them there was a great tooting and clanging, and a fire-engine came
lumbering past.
The customer hurried to the door to look, as any one will. Suddenly
inspired, Miss Martha seized the opportunity.
On the bottom shelf behind the counter was a pound of fresh butter that
the dairyman had left ten minutes before. With a bread knife Miss
Martha made a deep slash in each of the stale loaves, inserted a
generous quantity of butter, and pressed the loaves tight again.
When the customer turned once more she was tying the paper around them.
When he had gone, after an unusually pleasant little chat, Miss Martha
smiled to herself, but not without a slight fluttering of the heart.
Had she been too bold? Would he take offense? But surely not. There was
no language of edibles. Butter was no emblem of unmaidenly forwardness.
For a long time that day her mind dwelt on the subject. She imagined
the scene when he should discover her little deception.
He would lay down his brushes and palette. There would stand his easel
with the picture he was painting in which the perspective was beyond
criticism.
He would prepare for his luncheon of dry bread and water. He would
slice into a loaf—ah!
Miss Martha blushed. Would he think of the hand that placed it there as
he ate? Would he—
The front door bell jangled viciously. Somebody was coming in, making a
great deal of noise.
Miss Martha hurried to the front. Two men were there. One was a young
man smoking a pipe—a man she had never seen before. The other was her
artist.
His face was very red, his hat was on the back of his head, his hair
was wildly rumpled. He clinched his two fists and shook them
ferociously at Miss Martha. _At Miss Martha_.
“_Dummkopf!_” he shouted with extreme loudness; and then
“_Tausendonfer!_” or something like it in German.
The young man tried to draw him away.
“I vill not go,” he said angrily, “else I shall told her.”
He made a bass drum of Miss Martha’s counter.
“You haf shpoilt me,” he cried, his blue eyes blazing behind his
spectacles. “I vill tell you. You vas von _meddingsome old cat!_”
Miss Martha leaned weakly against the shelves and laid one hand on her
blue-dotted silk waist. The young man took the other by the collar.
“Come on,” he said, “you’ve said enough.” He dragged the angry one out
at the door to the sidewalk, and then came back.
Public-domain text, read in full here on John Shaqi.
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