American fiction -- 20th century; Short stories, American
Sam put on a martyred expression as he mounted his pony. But the
expression on his face was hilarious compared with the one on his
pony’s. You see, a pony gets to know his rider mighty well, and it is
not unlikely that cow ponies in pastures and at hitching racks had
often guyed Sam’s pony for being ridden by a guitar player instead of
by a rollicking, cussing, all-wool cowboy. No man is a hero to his
saddle-horse. And even an escalator in a department store might be
excused for tripping up a troubadour.
Oh, I know I’m one; and so are you. You remember the stories you
memorize and the card tricks you study and that little piece on the
piano—how does it go?—ti-tum-te-tum-ti-tum—those little Arabian Ten
Minute Entertainments that you furnish when you go up to call on your
rich Aunt Jane. You should know that _omnæ personæ in tres partes
divisæ sunt_. Namely: Barons, Troubadours, and Workers. Barons have no
inclination to read such folderol as this; and Workers have no time: so
I know you must be a Troubadour, and that you will understand Sam
Galloway. Whether we sing, act, dance, write, lecture, or paint, we are
only troubadours; so let us make the worst of it.
The pony with the Dante Alighieri face, guided by the pressure of Sam’s
knees, bore that wandering minstrel sixteen miles southeastward. Nature
was in her most benignant mood. League after league of delicate, sweet
flowerets made fragrant the gently undulating prairie. The east wind
tempered the spring warmth; wool-white clouds flying in from the
Mexican Gulf hindered the direct rays of the April sun. Sam sang songs
as he rode. Under his pony’s bridle he had tucked some sprigs of
chaparral to keep away the deer flies. Thus crowned, the long-faced
quadruped looked more Dantesque than before, and, judging by his
countenance, seemed to think of Beatrice.
Straight as topography permitted, Sam rode to the sheep ranch of old
man Ellison. A visit to a sheep ranch seemed to him desirable just
then. There had been too many people, too much noise, argument,
competition, confusion, at Rancho Altito. He had never conferred upon
old man Ellison the favour of sojourning at his ranch; but he knew he
would be welcome. The troubadour is his own passport everywhere. The
Workers in the castle let down the drawbridge to him, and the Baron
sets him at his left hand at table in the banquet hall. There ladies
smile upon him and applaud his songs and stories, while the Workers
bring boars’ heads and flagons. If the Baron nods once or twice in his
carved oaken chair, he does not do it maliciously.
Public-domain text, read in full here on John Shaqi.
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