American fiction -- 20th century; Short stories, American
“Pass the matches, please,” said the New Yorker. “Have you observed the
expedition with which new buildings are being run up in New York?
Improved inventions in steel framework and—”
“I noticed,” said the Nevadian, “that the statistics of Topaz City
showed only one carpenter crushed by falling timbers last year and he
was caught in a cyclone.”
“They abuse our sky line,” continued the New Yorker, “and it is likely
that we are not yet artistic in the construction of our buildings. But
I can safely assert that we lead in pictorial and decorative art. In
some of our houses can be found masterpieces in the way of paintings
and sculpture. One who has the entree to our best galleries will find—”
“Back up,” exclaimed the man from Topaz City. “There was a game last
month in our town in which $90,000 changed hands on a pair of—”
“Ta-romt-tara!” went the orchestra. The stage curtain, blushing pink at
the name “Asbestos” inscribed upon it, came down with a slow midsummer
movement. The audience trickled leisurely down the elevator and stairs.
On the sidewalk below, the New Yorker and the man from Topaz City shook
hands with alcoholic gravity. The elevated crashed raucously, surface
cars hummed and clanged, cabmen swore, newsboys shrieked, wheels
clattered ear-piercingly. The New Yorker conceived a happy thought,
with which he aspired to clinch the pre-eminence of his city.
“You must admit,” said he, “that in the way of noise New York is far
ahead of any other—”
“Back to the everglades!” said the man from Topaz City. “In 1900, when
Sousa’s band and the repeating candidate were in our town you
couldn’t—”
The rattle of an express wagon drowned the rest of the words.
V.
HOLDING UP A TRAIN
Note. The man who told me these things was for several years an outlaw
in the Southwest and a follower of the pursuit he so frankly describes.
His description of the _modus operandi_ should prove interesting, his
counsel of value to the potential passenger in some future “hold-up,”
while his estimate of the pleasures of train robbing will hardly induce
any one to adopt it as a profession. I give the story in almost exactly
his own words.
O. H.
Most people would say, if their opinion was asked for, that holding up
a train would be a hard job. Well, it isn’t; it’s easy. I have
contributed some to the uneasiness of railroads and the insomnia of
express companies, and the most trouble I ever had about a hold-up was
in being swindled by unscrupulous people while spending the money I
got. The danger wasn’t anything to speak of, and we didn’t mind the
trouble.
One man has come pretty near robbing a train by himself; two have
succeeded a few times; three can do it if they are hustlers, but five
is about the right number. The time to do it and the place depend upon
several things.
Public-domain text, read in full here on John Shaqi.
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