American fiction -- 20th century; Short stories, American
That is why the man who holds up trains picks his company with a
thousand times the care with which a careful girl chooses a sweetheart.
That is why he raises himself from his blanket of nights and listens to
the tread of every horse’s hoofs on the distant road. That is why he
broods suspiciously for days upon a jesting remark or an unusual
movement of a tried comrade, or the broken mutterings of his closest
friend, sleeping by his side.
And it is one of the reasons why the train-robbing profession is not so
pleasant a one as either of its collateral branches—politics or
cornering the market.
VI.
ULYSSES AND THE DOGMAN
Do you know the time of the dogmen?
When the forefinger of twilight begins to smudge the clear-drawn lines
of the Big City there is inaugurated an hour devoted to one of the most
melancholy sights of urban life.
Out from the towering flat crags and apartment peaks of the cliff
dwellers of New York steals an army of beings that were once men. Even
yet they go upright upon two limbs and retain human form and speech;
but you will observe that they are behind animals in progress. Each of
these beings follows a dog, to which he is fastened by an artificial
ligament.
These men are all victims to Circe. Not willingly do they become
flunkeys to Fido, bell boys to bull terriers, and toddlers after
Towzer. Modern Circe, instead of turning them into animals, has kindly
left the difference of a six-foot leash between them. Every one of
those dogmen has been either cajoled, bribed, or commanded by his own
particular Circe to take the dear household pet out for an airing.
By their faces and manner you can tell that the dogmen are bound in a
hopeless enchantment. Never will there come even a dog-catcher Ulysses
to remove the spell.
The faces of some are stonily set. They are past the commiseration, the
curiosity, or the jeers of their fellow-beings. Years of matrimony, of
continuous compulsory canine constitutionals, have made them callous.
They unwind their beasts from lamp posts, or the ensnared legs of
profane pedestrians, with the stolidity of mandarins manipulating the
strings of their kites.
Others, more recently reduced to the ranks of Rover’s retinue, take
their medicine sulkily and fiercely. They play the dog on the end of
their line with the pleasure felt by the girl out fishing when she
catches a sea-robin on her hook. They glare at you threateningly if you
look at them, as if it would be their delight to let slip the dogs of
war. These are half-mutinous dogmen, not quite Circe-ized, and you will
do well not to kick their charges, should they sniff around your
ankles.
Public-domain text, read in full here on John Shaqi.
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