I cannot, however, help thinking that there were more books of what may be termed a literary or classical character issued and sold during the early part of my career than there are to-day. It certainly looks as though the publishers of the future will have considerable opportunities of issuing the works of some of the great masters in literature. Whether or not we are to-day producing works of a character which will be sought for and collected by future generations it is difficult to say. There is one thing certain, however, and that is the spirit and desire to collect first editions of special authors was never greater than it is now. Undoubtedly, the desire to write books as well as to read them is an element to be dealt with, and if it were possible for the publisher to be so gifted that he would publish only books that were really worth publishing, much of the rubbish now being issued and which has only an ephemeral sale would never spoil paper and print. We shall, I suppose, never get perfection, but that is no reason why we should not aim at getting it. Take poetry, for instance. In my young days, Milton, Tupper, Longfellow, Keats, Shelley, Byron, with others, were considered the leading sellers, while Tennyson, W. Morris, Swinburne, Lewis Morris, the Brownings, were fast pushing some of the older poets out of existence and gaining a deserved popularity, which will last for many generations. Tennyson's popularity was such that it was reported that when he changed his publishers from Moxon to Strahan the latter promised to give him annually the sum of £4,500 for the right to publish his books. There are few poets to-day who could command such an arrangement. Then there is Swinburne, who in one of his volumes had expressed himself somewhat too realistically and was refused further publication by E. Moxon. Some of his later works were issued by J.C. Hotten and afterwards by Chatto & Windus. There are few, if any, publishers to-day who would take up the Moxon attitude, but times have changed for the better. In 1890 there were 114 volumes of poetry published, in 1891, 146; and I should conclude that from that period up to the beginning of the war, the number issued fluctuated to a very small extent. In the classified analysis of books and new editions published in 1917, poetry and the drama numbered 544, while in 1918 there were 642 published, which shows that the war has had a considerable influence in providing food for the imagination, poetry being frequently a true interpretation of the feelings of the individual as well as of the nation. * * * * *