Nor is this pretty romance merely an invention of the poet’s brain. One of the family by whom the song has been preserved happened, it seems, in the latter part of last century, to be buying snuff in a shop in Edinburgh, when a beggar came in. Nothing was said before the stranger; but the shopkeeper, as if it were an accustomed dole, handed the beggar a groat. Afterwards, in reply to a remark of his customer as to the delicacy of the beggar’s hand which had received the coin, the shopkeeper revealed the fact that the recipient of his charity was no man, but a woman, and no other than Jeanie Cameron, a follower of the Chevalier. Her story, so far as he knew it, was sad enough. She had followed the Prince to France, hoping, no doubt, poor thing! to resume there something of the place she had believed herself to hold in his affections. Alas! it was only to find herself, like so many others, forgotten, cast off, an encumbrance to a broken man. And then, with who can tell how heavy a heart, she made her way home, only to discover that her family had shut their door upon her, and cut her adrift. So, for these many years, she had wandered about forlorn and lonely, supported by a few charitable bourgeois in the streets of Edinburgh--she who could look back upon the day when she had loved and been loved by a Stuart Prince.[B] [A] It has now been included in “Ancient Scots Ballads with their Traditional Airs.” Glasgow: Bayley & Ferguson, 1894. [B] This account of the latter days of “Mrs Jean Cameron” finds corroboration in a footnote to the second volume of Chambers’s “Traditions of Edinburgh.” Such are some of the stories which find no place in history, but whose consciousness sheds a tragic and tender interest about this grey old capital of the North. Who will say that they are not as well worth thought as the trumpetings of herald pursuivants and the clash of warlike arms? A WEAVING VILLAGE.