Sketch of the Reformation in EnglandBlunt, John J. (John James)
History
Sketch of the Reformation in England
Blunt, John J. (John James)
Great Britain -- Church history; Reformation -- England
Rome, however, had by this time, corrupted the simplicity of the
faith, as it was taught there by St. Paul in his own hired house; and
whilst, no doubt, the English pilgrims who returned brought away with
them much to civilise and something to edify, they brought away with
them, too, much to corrupt the church at home. For Rome was under a
temptation to mingle sacred and profane together; it did not, like
Constantinople, rise at once a Christian capital. The Gospel was
introduced into it, and had to win its way by slow degrees through the
ancient sympathies and inveterate habits of the Pagan city. It was a
maxim with some of the early promoters of the Christian cause to do
as little violence as possible to existing prejudices. They would
run the risk of Barnabas being confounded with Jupiter, and Paul with
Mercurius. In the transition from Pagan to Papal Rome much of the old
material was worked up. The heathen temples became Christian churches;
the altars of the gods, altars of the saints; the curtains, incense,
tapers, votive tablets, remained the same; the aquaminarium was still
the vessel for holy water; St. Peter stood at the gate instead of
Cardea; St. Rocque or St. Sebastian in the bed-room, instead of the
“Phrygian Penates;” St. Nicholas was the sign of the vessel, instead of
Castor and Pollux; the Mater Deûm became the Madonna; alms pro Matre
Deûm became alms for the Madonna; the festival of the Mater Deûm, the
festival of the Madonna, or _Lady Day_; the Hostia, or victim, was
now the host; the “Lugentes Campi,” or dismal regions, Purgatory;[37]
the offerings to the Manes were masses for the dead. The parallel might
be drawn out to a far greater extent; indeed, so much of the Roman had
been grafted upon the Roman catholic system during the dark ages (as
they are called) that the confusion of ideas and of terms resulting
from it forms quite a feature in the writings of the Italian authors
who lived at the revival of letters. Images, holy and unholy, are by
them crowded together without the smallest regard to decency, though
evidently without any intention to offend against it in the parties
themselves. Such was the process of deterioration which the Gospel was
undergoing at Rome (progressive because profitable) at the time when
our Anglo-Saxon ancestors were improving their acquaintance with that
city by repairing to it for purposes of devotion.
What were the doctrines and practices which at present prevailed in
the Anglo-Saxon church, and how far it was exempt from the errors
of later times, it is not easy to determine; more especially as the
ecclesiastical history of Bede, and the early Saxon homilies and
canons, quoted by his commentators, would often lead us to conflicting
conclusions:--
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