Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
It was for the concert in the orchestra. A small party of dismal men in
cocked hats were ‘executing’ the overture to _Tancredi_, and a numerous
assemblage of ladies and gentlemen, with their families, had rushed
from their half-emptied stout mugs in the supper boxes, and crowded to
the spot. Intense was the low murmur of admiration when a particularly
small gentleman, in a dress coat, led on a particularly tall lady in a
blue sarcenet pelisse and bonnet of the same, ornamented with large
white feathers, and forthwith commenced a plaintive duet.
We knew the small gentleman well; we had seen a lithographed semblance
of him, on many a piece of music, with his mouth wide open as if in the
act of singing; a wine-glass in his hand; and a table with two
decanters and four pine-apples on it in the background. The tall lady,
too, we had gazed on, lost in raptures of admiration, many and many a
time—how different people _do_ look by daylight, and without punch, to
be sure! It was a beautiful duet: first the small gentleman asked a
question, and then the tall lady answered it; then the small gentleman
and the tall lady sang together most melodiously; then the small
gentleman went through a little piece of vehemence by himself, and got
very tenor indeed, in the excitement of his feelings, to which the tall
lady responded in a similar manner; then the small gentleman had a
shake or two, after which the tall lady had the same, and then they
both merged imperceptibly into the original air: and the band wound
themselves up to a pitch of fury, and the small gentleman handed the
tall lady out, and the applause was rapturous.
The comic singer, however, was the especial favourite; we really
thought that a gentleman, with his dinner in a pocket-handkerchief, who
stood near us, would have fainted with excess of joy. A marvellously
facetious gentleman that comic singer is; his distinguishing
characteristics are, a wig approaching to the flaxen, and an aged
countenance, and he bears the name of one of the English counties, if
we recollect right. He sang a very good song about the seven ages, the
first half-hour of which afforded the assembly the purest delight; of
the rest we can make no report, as we did not stay to hear any more.
We walked about, and met with a disappointment at every turn; our
favourite views were mere patches of paint; the fountain that had
sparkled so showily by lamp-light, presented very much the appearance
of a water-pipe that had burst; all the ornaments were dingy, and all
the walks gloomy. There was a spectral attempt at rope-dancing in the
little open theatre. The sun shone upon the spangled dresses of the
performers, and their evolutions were about as inspiriting and
appropriate as a country-dance in a family vault. So we retraced our
steps to the firework-ground, and mingled with the little crowd of
people who were contemplating Mr. Green.
Public-domain text, read in full here on John Shaqi.
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