Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
As to the dinner itself—the mere dinner—it goes off much the same
everywhere. Tureens of soup are emptied with awful rapidity—waiters
take plates of turbot away, to get lobster-sauce, and bring back plates
of lobster-sauce without turbot; people who can carve poultry, are
great fools if they own it, and people who can’t have no wish to learn.
The knives and forks form a pleasing accompaniment to Auber’s music,
and Auber’s music would form a pleasing accompaniment to the dinner, if
you could hear anything besides the cymbals. The substantials
disappear—moulds of jelly vanish like lightning—hearty eaters wipe
their foreheads, and appear rather overcome by their recent
exertions—people who have looked very cross hitherto, become remarkably
bland, and ask you to take wine in the most friendly manner
possible—old gentlemen direct your attention to the ladies’ gallery,
and take great pains to impress you with the fact that the charity is
always peculiarly favoured in this respect—every one appears disposed
to become talkative—and the hum of conversation is loud and general.
‘Pray, silence, gentlemen, if you please, for _Non nobis_!’ shouts the
toast-master with stentorian lungs—a toast-master’s shirt-front,
waistcoat, and neckerchief, by-the-bye, always exhibit three distinct
shades of cloudy-white.—‘Pray, silence, gentlemen, for _Non nobis_!’
The singers, whom you discover to be no other than the very party that
excited your curiosity at first, after ‘pitching’ their voices
immediately begin _too-too_ing most dismally, on which the regular old
stagers burst into occasional cries of—‘Sh—Sh—waiters!—Silence,
waiters—stand still, waiters—keep back, waiters,’ and other exorcisms,
delivered in a tone of indignant remonstrance. The grace is soon
concluded, and the company resume their seats. The uninitiated portion
of the guests applaud _Non nobis_ as vehemently as if it were a capital
comic song, greatly to the scandal and indignation of the regular
diners, who immediately attempt to quell this sacrilegious approbation,
by cries of ‘Hush, hush!’ whereupon the others, mistaking these sounds
for hisses, applaud more tumultuously than before, and, by way of
placing their approval beyond the possibility of doubt, shout
‘_Encore_!’ most vociferously.
Public-domain text, read in full here on John Shaqi.
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