Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The moment the noise ceases, up starts the toast-master:—‘Gentlemen,
charge your glasses, if you please!’ Decanters having been handed
about, and glasses filled, the toast-master proceeds, in a regular
ascending
scale:—‘Gentlemen—_air_—you—all charged? Pray—silence—gentlemen—for—the
cha-i-r!’ The chairman rises, and, after stating that he feels it quite
unnecessary to preface the toast he is about to propose, with any
observations whatever, wanders into a maze of sentences, and flounders
about in the most extraordinary manner, presenting a lamentable
spectacle of mystified humanity, until he arrives at the words,
‘constitutional sovereign of these realms,’ at which elderly gentlemen
exclaim ‘Bravo!’ and hammer the table tremendously with their
knife-handles. ‘Under any circumstances, it would give him the greatest
pride, it would give him the greatest pleasure—he might almost say, it
would afford him satisfaction [cheers] to propose that toast. What must
be his feelings, then, when he has the gratification of announcing,
that he has received her Majesty’s commands to apply to the Treasurer
of her Majesty’s Household, for her Majesty’s annual donation of 25_l._
in aid of the funds of this charity!’ This announcement (which has been
regularly made by every chairman, since the first foundation of the
charity, forty-two years ago) calls forth the most vociferous applause;
the toast is drunk with a great deal of cheering and knocking; and ‘God
save the Queen’ is sung by the ‘professional gentlemen;’ the
unprofessional gentlemen joining in the chorus, and giving the national
anthem an effect which the newspapers, with great justice, describe as
‘perfectly electrical.’
The other ‘loyal and patriotic’ toasts having been drunk with all due
enthusiasm, a comic song having been well sung by the gentleman with
the small neckerchief, and a sentimental one by the second of the
party, we come to the most important toast of the evening—‘Prosperity
to the charity.’ Here again we are compelled to adopt newspaper
phraseology, and to express our regret at being ‘precluded from giving
even the substance of the noble lord’s observations.’ Suffice it to
say, that the speech, which is somewhat of the longest, is rapturously
received; and the toast having been drunk, the stewards (looking more
important than ever) leave the room, and presently return, heading a
procession of indigent orphans, boys and girls, who walk round the
room, curtseying, and bowing, and treading on each other’s heels, and
looking very much as if they would like a glass of wine apiece, to the
high gratification of the company generally, and especially of the lady
patronesses in the gallery. _Exeunt_ children, and re-enter stewards,
each with a blue plate in his hand. The band plays a lively air; the
majority of the company put their hands in their pockets and look
rather serious; and the noise of sovereigns, rattling on crockery, is
heard from all parts of the room.
Public-domain text, read in full here on John Shaqi.
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