Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
Of the numerous receptacles for misery and distress with which the
streets of London unhappily abound, there are, perhaps, none which
present such striking scenes as the pawnbrokers’ shops. The very nature
and description of these places occasions their being but little known,
except to the unfortunate beings whose profligacy or misfortune drives
them to seek the temporary relief they offer. The subject may appear,
at first sight, to be anything but an inviting one, but we venture on
it nevertheless, in the hope that, as far as the limits of our present
paper are concerned, it will present nothing to disgust even the most
fastidious reader.
There are some pawnbrokers’ shops of a very superior description. There
are grades in pawning as in everything else, and distinctions must be
observed even in poverty. The aristocratic Spanish cloak and the
plebeian calico shirt, the silver fork and the flat iron, the muslin
cravat and the Belcher neckerchief, would but ill assort together; so,
the better sort of pawnbroker calls himself a silver-smith, and
decorates his shop with handsome trinkets and expensive jewellery,
while the more humble money-lender boldly advertises his calling, and
invites observation. It is with pawnbrokers’ shops of the latter class,
that we have to do. We have selected one for our purpose, and will
endeavour to describe it.
The pawnbroker’s shop is situated near Drury-Lane, at the corner of a
court, which affords a side entrance for the accommodation of such
customers as may be desirous of avoiding the observation of the
passers-by, or the chance of recognition in the public street. It is a
low, dirty-looking, dusty shop, the door of which stands always
doubtfully, a little way open: half inviting, half repelling the
hesitating visitor, who, if he be as yet uninitiated, examines one of
the old garnet brooches in the window for a minute or two with affected
eagerness, as if he contemplated making a purchase; and then looking
cautiously round to ascertain that no one watches him, hastily slinks
in: the door closing of itself after him, to just its former width. The
shop front and the window-frames bear evident marks of having been once
painted; but, what the colour was originally, or at what date it was
probably laid on, are at this remote period questions which may be
asked, but cannot be answered. Tradition states that the transparency
in the front door, which displays at night three red balls on a blue
ground, once bore also, inscribed in graceful waves, the words ‘Money
advanced on plate, jewels, wearing apparel, and every description of
property,’ but a few illegible hieroglyphics are all that now remain to
attest the fact. The plate and jewels would seem to have disappeared,
together with the announcement, for the articles of stock, which are
displayed in some profusion in the window, do not include any very
valuable luxuries of either kind. A few old china cups; some modern
Public-domain text, read in full here on John Shaqi.
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