Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
vases, adorned with paltry paintings of three Spanish cavaliers playing
three Spanish guitars; or a party of boors carousing: each boor with
one leg painfully elevated in the air, by way of expressing his perfect
freedom and gaiety; several sets of chessmen, two or three flutes, a
few fiddles, a round-eyed portrait staring in astonishment from a very
dark ground; some gaudily-bound prayer-books and testaments, two rows
of silver watches quite as clumsy and almost as large as Ferguson’s
first; numerous old-fashioned table and tea spoons, displayed,
fan-like, in half-dozens; strings of coral with great broad gilt snaps;
cards of rings and brooches, fastened and labelled separately, like the
insects in the British Museum; cheap silver penholders and snuff-boxes,
with a masonic star, complete the jewellery department; while five or
six beds in smeary clouded ticks, strings of blankets and sheets, silk
and cotton handkerchiefs, and wearing apparel of every description,
form the more useful, though even less ornamental, part, of the
articles exposed for sale. An extensive collection of planes, chisels,
saws, and other carpenters’ tools, which have been pledged, and never
redeemed, form the foreground of the picture; while the large frames
full of ticketed bundles, which are dimly seen through the dirty
casement up-stairs—the squalid neighbourhood—the adjoining houses,
straggling, shrunken, and rotten, with one or two filthy,
unwholesome-looking heads thrust out of every window, and old red pans
and stunted plants exposed on the tottering parapets, to the manifest
hazard of the heads of the passers-by—the noisy men loitering under the
archway at the corner of the court, or about the gin-shop next door—and
their wives patiently standing on the curb-stone, with large baskets of
cheap vegetables slung round them for sale, are its immediate
auxiliaries.
If the outside of the pawnbroker’s shop be calculated to attract the
attention, or excite the interest, of the speculative pedestrian, its
interior cannot fail to produce the same effect in an increased degree.
The front door, which we have before noticed, opens into the common
shop, which is the resort of all those customers whose habitual
acquaintance with such scenes renders them indifferent to the
observation of their companions in poverty. The side door opens into a
small passage from which some half-dozen doors (which may be secured on
the inside by bolts) open into a corresponding number of little dens,
or closets, which face the counter. Here, the more timid or respectable
portion of the crowd shroud themselves from the notice of the
remainder, and patiently wait until the gentleman behind the counter,
with the curly black hair, diamond ring, and double silver watch-guard,
shall feel disposed to favour them with his notice—a consummation which
depends considerably on the temper of the aforesaid gentleman for the
time being.
Public-domain text, read in full here on John Shaqi.
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