Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
In the last box, which is situated in the darkest and most obscure
corner of the shop, considerably removed from either of the gas-lights,
are a young delicate girl of about twenty, and an elderly female,
evidently her mother from the resemblance between them, who stand at
some distance back, as if to avoid the observation even of the shopman.
It is not their first visit to a pawnbroker’s shop, for they answer
without a moment’s hesitation the usual questions, put in a rather
respectful manner, and in a much lower tone than usual, of ‘What name
shall I say?—Your own property, of course?—Where do you
live?—Housekeeper or lodger?’ They bargain, too, for a higher loan than
the shopman is at first inclined to offer, which a perfect stranger
would be little disposed to do; and the elder female urges her daughter
on, in scarcely audible whispers, to exert her utmost powers of
persuasion to obtain an advance of the sum, and expatiate on the value
of the articles they have brought to raise a present supply upon. They
are a small gold chain and a ‘Forget me not’ ring: the girl’s property,
for they are both too small for the mother; given her in better times;
prized, perhaps, once, for the giver’s sake, but parted with now
without a struggle; for want has hardened the mother, and her example
has hardened the girl, and the prospect of receiving money, coupled
with a recollection of the misery they have both endured from the want
of it—the coldness of old friends—the stern refusal of some, and the
still more galling compassion of others—appears to have obliterated the
consciousness of self-humiliation, which the idea of their present
situation would once have aroused.
In the next box, is a young female, whose attire, miserably poor, but
extremely gaudy, wretchedly cold, but extravagantly fine, too plainly
bespeaks her station. The rich satin gown with its faded trimmings, the
worn-out thin shoes, and pink silk stockings, the summer bonnet in
winter, and the sunken face, where a daub of rouge only serves as an
index to the ravages of squandered health never to be regained, and
lost happiness never to be restored, and where the practised smile is a
wretched mockery of the misery of the heart, cannot be mistaken. There
is something in the glimpse she has just caught of her young neighbour,
and in the sight of the little trinkets she has offered in pawn, that
seems to have awakened in this woman’s mind some slumbering
recollection, and to have changed, for an instant, her whole demeanour.
Her first hasty impulse was to bend forward as if to scan more minutely
the appearance of her half-concealed companions; her next, on seeing
them involuntarily shrink from her, to retreat to the back of the box,
cover her face with her hands, and burst into tears.
Public-domain text, read in full here on John Shaqi.
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