Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
because she likes the wretch arter all—worse luck!’ Here, as the woman
has completely run herself out of breath, the pawnbroker himself, who
has just appeared behind the counter in a gray dressing-gown, embraces
the favourable opportunity of putting in a word:—‘Now I won’t have none
of this sort of thing on my premises!’ he interposes with an air of
authority. ‘Mrs. Mackin, keep yourself to yourself, or you don’t get
fourpence for a flat iron here; and Jinkins, you leave your ticket here
till you’re sober, and send your wife for them two planes, for I won’t
have you in my shop at no price; so make yourself scarce, before I make
you scarcer.’
This eloquent address produces anything but the effect desired; the
women rail in concert; the man hits about him in all directions, and is
in the act of establishing an indisputable claim to gratuitous lodgings
for the night, when the entrance of his wife, a wretched, worn-out
woman, apparently in the last stage of consumption, whose face bears
evident marks of recent ill-usage, and whose strength seems hardly
equal to the burden—light enough, God knows!—of the thin, sickly child
she carries in her arms, turns his cowardly rage in a safer direction.
‘Come home, dear,’ cries the miserable creature, in an imploring tone;
‘_do_ come home, there’s a good fellow, and go to bed.’—‘Go home
yourself,’ rejoins the furious ruffian. ‘Do come home quietly,’ repeats
the wife, bursting into tears. ‘Go home yourself,’ retorts the husband
again, enforcing his argument by a blow which sends the poor creature
flying out of the shop. Her ‘natural protector’ follows her up the
court, alternately venting his rage in accelerating her progress, and
in knocking the little scanty blue bonnet of the unfortunate child over
its still more scanty and faded-looking face.
Public-domain text, read in full here on John Shaqi.
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