Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
We cannot forget the boy; he descended the steps with a dogged look,
shaking his head with an air of bravado and obstinate determination.
They walked a few paces, and paused. The woman put her hand upon his
shoulder in an agony of entreaty, and the boy sullenly raised his head
as if in refusal. It was a brilliant morning, and every object looked
fresh and happy in the broad, gay sunlight; he gazed round him for a
few moments, bewildered with the brightness of the scene, for it was
long since he had beheld anything save the gloomy walls of a prison.
Perhaps the wretchedness of his mother made some impression on the
boy’s heart; perhaps some undefined recollection of the time when he
was a happy child, and she his only friend, and best companion, crowded
on him—he burst into tears; and covering his face with one hand, and
hurriedly placing the other in his mother’s, walked away with her.
Curiosity has occasionally led us into both Courts at the Old Bailey.
Nothing is so likely to strike the person who enters them for the first
time, as the calm indifference with which the proceedings are
conducted; every trial seems a mere matter of business. There is a
great deal of form, but no compassion; considerable interest, but no
sympathy. Take the Old Court for example. There sit the judges, with
whose great dignity everybody is acquainted, and of whom therefore we
need say no more. Then, there is the Lord Mayor in the centre, looking
as cool as a Lord Mayor _can_ look, with an immense _bouquet_ before
him, and habited in all the splendour of his office. Then, there are
the Sheriffs, who are almost as dignified as the Lord Mayor himself;
and the Barristers, who are quite dignified enough in their own
opinion; and the spectators, who having paid for their admission, look
upon the whole scene as if it were got up especially for their
amusement. Look upon the whole group in the body of the Court—some
wholly engrossed in the morning papers, others carelessly conversing in
low whispers, and others, again, quietly dozing away an hour—and you
can scarcely believe that the result of the trial is a matter of life
or death to one wretched being present. But turn your eyes to the dock;
watch the prisoner attentively for a few moments; and the fact is
before you, in all its painful reality. Mark how restlessly he has been
engaged for the last ten minutes, in forming all sorts of fantastic
figures with the herbs which are strewed upon the ledge before him;
observe the ashy paleness of his face when a particular witness
appears, and how he changes his position and wipes his clammy forehead,
and feverish hands, when the case for the prosecution is closed, as if
it were a relief to him to feel that the jury knew the worst.
Public-domain text, read in full here on John Shaqi.
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