Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The defence is concluded; the judge proceeds to sum up the evidence;
and the prisoner watches the countenances of the jury, as a dying man,
clinging to life to the very last, vainly looks in the face of his
physician for a slight ray of hope. They turn round to consult; you can
almost hear the man’s heart beat, as he bites the stalk of rosemary,
with a desperate effort to appear composed. They resume their places—a
dead silence prevails as the foreman delivers in the verdict—‘Guilty!’
A shriek bursts from a female in the gallery; the prisoner casts one
look at the quarter from whence the noise proceeded; and is immediately
hurried from the dock by the gaoler. The clerk directs one of the
officers of the Court to ‘take the woman out,’ and fresh business is
proceeded with, as if nothing had occurred.
No imaginary contrast to a case like this, could be as complete as that
which is constantly presented in the New Court, the gravity of which is
frequently disturbed in no small degree, by the cunning and pertinacity
of juvenile offenders. A boy of thirteen is tried, say for picking the
pocket of some subject of her Majesty, and the offence is about as
clearly proved as an offence can be. He is called upon for his defence,
and contents himself with a little declamation about the jurymen and
his country—asserts that all the witnesses have committed perjury, and
hints that the police force generally have entered into a conspiracy
‘again’ him. However probable this statement may be, it fails to
convince the Court, and some such scene as the following then takes
place:
_Court_: Have you any witnesses to speak to your character, boy?
_Boy_: Yes, my Lord; fifteen gen’lm’n is a vaten outside, and vos a
vaten all day yesterday, vich they told me the night afore my trial vos
a comin’ on.
_Court_. Inquire for these witnesses.
Here, a stout beadle runs out, and vociferates for the witnesses at the
very top of his voice; for you hear his cry grow fainter and fainter as
he descends the steps into the court-yard below. After an absence of
five minutes, he returns, very warm and hoarse, and informs the Court
of what it knew perfectly well before—namely, that there are no such
witnesses in attendance. Hereupon, the boy sets up a most awful
howling; screws the lower part of the palms of his hands into the
corners of his eyes; and endeavours to look the picture of injured
innocence. The jury at once find him ‘guilty,’ and his endeavours to
squeeze out a tear or two are redoubled. The governor of the gaol then
states, in reply to an inquiry from the bench, that the prisoner has
been under his care twice before. This the urchin resolutely denies in
some such terms as—‘S’elp me, gen’lm’n, I never vos in trouble
afore—indeed, my Lord, I never vos. It’s all a howen to my having a
twin brother, vich has wrongfully got into trouble, and vich is so
exactly like me, that no vun ever knows the difference atween us.’
Public-domain text, read in full here on John Shaqi.
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