Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
This representation, like the defence, fails in producing the desired
effect, and the boy is sentenced, perhaps, to seven years’
transportation. Finding it impossible to excite compassion, he gives
vent to his feelings in an imprecation bearing reference to the eyes of
‘old big vig!’ and as he declines to take the trouble of walking from
the dock, is forthwith carried out, congratulating himself on having
succeeded in giving everybody as much trouble as possible.
CHAPTER XXV—A VISIT TO NEWGATE
‘The force of habit’ is a trite phrase in everybody’s mouth; and it is
not a little remarkable that those who use it most as applied to
others, unconsciously afford in their own persons singular examples of
the power which habit and custom exercise over the minds of men, and of
the little reflection they are apt to bestow on subjects with which
every day’s experience has rendered them familiar. If Bedlam could be
suddenly removed like another Aladdin’s palace, and set down on the
space now occupied by Newgate, scarcely one man out of a hundred, whose
road to business every morning lies through Newgate-street, or the Old
Bailey, would pass the building without bestowing a hasty glance on its
small, grated windows, and a transient thought upon the condition of
the unhappy beings immured in its dismal cells; and yet these same men,
day by day, and hour by hour, pass and repass this gloomy depository of
the guilt and misery of London, in one perpetual stream of life and
bustle, utterly unmindful of the throng of wretched creatures pent up
within it—nay, not even knowing, or if they do, not heeding, the fact,
that as they pass one particular angle of the massive wall with a light
laugh or a merry whistle, they stand within one yard of a
fellow-creature, bound and helpless, whose hours are numbered, from
whom the last feeble ray of hope has fled for ever, and whose miserable
career will shortly terminate in a violent and shameful death. Contact
with death even in its least terrible shape, is solemn and appalling.
How much more awful is it to reflect on this near vicinity to the
dying—to men in full health and vigour, in the flower of youth or the
prime of life, with all their faculties and perceptions as acute and
perfect as your own; but dying, nevertheless—dying as surely—with the
hand of death imprinted upon them as indelibly—as if mortal disease had
wasted their frames to shadows, and corruption had already begun!
Public-domain text, read in full here on John Shaqi.
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