Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The man to whom we have alluded as entertaining some hopes of escape,
was lounging, at the greatest distance he could place between himself
and his companions, in the window nearest to the door. He was probably
aware of our approach, and had assumed an air of courageous
indifference; his face was purposely averted towards the window, and he
stirred not an inch while we were present. The other two men were at
the upper end of the room. One of them, who was imperfectly seen in the
dim light, had his back towards us, and was stooping over the fire,
with his right arm on the mantel-piece, and his head sunk upon it. The
other was leaning on the sill of the farthest window. The light fell
full upon him, and communicated to his pale, haggard face, and
disordered hair, an appearance which, at that distance, was ghastly.
His cheek rested upon his hand; and, with his face a little raised, and
his eyes wildly staring before him, he seemed to be unconsciously
intent on counting the chinks in the opposite wall. We passed this room
again afterwards. The first man was pacing up and down the court with a
firm military step—he had been a soldier in the foot-guards—and a cloth
cap jauntily thrown on one side of his head. He bowed respectfully to
our conductor, and the salute was returned. The other two still
remained in the positions we have described, and were as motionless as
statues. [165]
A few paces up the yard, and forming a continuation of the building, in
which are the two rooms we have just quitted, lie the condemned cells.
The entrance is by a narrow and obscure stair-case leading to a dark
passage, in which a charcoal stove casts a lurid tint over the objects
in its immediate vicinity, and diffuses something like warmth around.
From the left-hand side of this passage, the massive door of every cell
on the story opens; and from it alone can they be approached. There are
three of these passages, and three of these ranges of cells, one above
the other; but in size, furniture and appearance, they are all
precisely alike. Prior to the recorder’s report being made, all the
prisoners under sentence of death are removed from the day-room at five
o’clock in the afternoon, and locked up in these cells, where they are
allowed a candle until ten o’clock; and here they remain until seven
next morning. When the warrant for a prisoner’s execution arrives, he
is removed to the cells and confined in one of them until he leaves it
for the scaffold. He is at liberty to walk in the yard; but, both in
his walks and in his cell, he is constantly attended by a turnkey who
never leaves him on any pretence.
Public-domain text, read in full here on John Shaqi.
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