Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
We entered the first cell. It was a stone dungeon, eight feet long by
six wide, with a bench at the upper end, under which were a common rug,
a bible, and prayer-book. An iron candlestick was fixed into the wall
at the side; and a small high window in the back admitted as much air
and light as could struggle in between a double row of heavy, crossed
iron bars. It contained no other furniture of any description.
Conceive the situation of a man, spending his last night on earth in
this cell. Buoyed up with some vague and undefined hope of reprieve, he
knew not why—indulging in some wild and visionary idea of escaping, he
knew not how—hour after hour of the three preceding days allowed him
for preparation, has fled with a speed which no man living would deem
possible, for none but this dying man can know. He has wearied his
friends with entreaties, exhausted the attendants with importunities,
neglected in his feverish restlessness the timely warnings of his
spiritual consoler; and, now that the illusion is at last dispelled,
now that eternity is before him and guilt behind, now that his fears of
death amount almost to madness, and an overwhelming sense of his
helpless, hopeless state rushes upon him, he is lost and stupefied, and
has neither thoughts to turn to, nor power to call upon, the Almighty
Being, from whom alone he can seek mercy and forgiveness, and before
whom his repentance can alone avail.
Hours have glided by, and still he sits upon the same stone bench with
folded arms, heedless alike of the fast decreasing time before him, and
the urgent entreaties of the good man at his side. The feeble light is
wasting gradually, and the deathlike stillness of the street without,
broken only by the rumbling of some passing vehicle which echoes
mournfully through the empty yards, warns him that the night is waning
fast away. The deep bell of St. Paul’s strikes—one! He heard it; it has
roused him. Seven hours left! He paces the narrow limits of his cell
with rapid strides, cold drops of terror starting on his forehead, and
every muscle of his frame quivering with agony. Seven hours! He suffers
himself to be led to his seat, mechanically takes the bible which is
placed in his hand, and tries to read and listen. No: his thoughts will
wander. The book is torn and soiled by use—and like the book he read
his lessons in, at school, just forty years ago! He has never bestowed
a thought upon it, perhaps, since he left it as a child: and yet the
place, the time, the room—nay, the very boys he played with, crowd as
vividly before him as if they were scenes of yesterday; and some
forgotten phrase, some childish word, rings in his ears like the echo
of one uttered but a minute since. The voice of the clergyman recalls
him to himself. He is reading from the sacred book its solemn promises
of pardon for repentance, and its awful denunciation of obdurate men.
He falls upon his knees and clasps his hands to pray. Hush! what sound
Public-domain text, read in full here on John Shaqi.
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