‘William, dear William! rouse yourself; don’t look at me so, love—pray don’t! Oh, my God! what shall I do!’ cried the widow, clasping her hands in agony—‘my dear boy! he is dying!’ The boy raised himself by a violent effort, and folded his hands together—‘Mother! dear, dear mother, bury me in the open fields—anywhere but in these dreadful streets. I should like to be where you can see my grave, but not in these close crowded streets; they have killed me; kiss me again, mother; put your arm round my neck—’ He fell back, and a strange expression stole upon his features; not of pain or suffering, but an indescribable fixing of every line and muscle. The boy was dead. SCENES CHAPTER I—THE STREETS—MORNING The appearance presented by the streets of London an hour before sunrise, on a summer’s morning, is most striking even to the few whose unfortunate pursuits of pleasure, or scarcely less unfortunate pursuits of business, cause them to be well acquainted with the scene. There is an air of cold, solitary desolation about the noiseless streets which we are accustomed to see thronged at other times by a busy, eager crowd, and over the quiet, closely-shut buildings, which throughout the day are swarming with life and bustle, that is very impressive. The last drunken man, who shall find his way home before sunlight, has just staggered heavily along, roaring out the burden of the drinking song of the previous night: the last houseless vagrant whom penury and police have left in the streets, has coiled up his chilly limbs in some paved comer, to dream of food and warmth. The drunken, the dissipated, and the wretched have disappeared; the more sober and orderly part of the population have not yet awakened to the labours of the day, and the stillness of death is over the streets; its very hue seems to be imparted to them, cold and lifeless as they look in the grey, sombre light of daybreak. The coach-stands in the larger thoroughfares are deserted: the night-houses are closed; and the chosen promenades of profligate misery are empty. An occasional policeman may alone be seen at the street corners, listlessly gazing on the deserted prospect before him; and now and then a rakish-looking cat runs stealthily across the road and descends his own area with as much caution and slyness—bounding first on the water-butt, then on the dust-hole, and then alighting on the flag-stones—as if he were conscious that his character depended on his gallantry of the preceding night escaping public observation. A partially opened bedroom-window here and there, bespeaks the heat of the weather, and the uneasy slumbers of its occupant; and the dim scanty flicker of the rushlight, through the window-blind, denotes the chamber of watching or sickness. With these few exceptions, the streets present no signs of life, nor the houses of habitation.