Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
interest he was appointed to his present situation.
He is an old man now. Of the many who once crowded round him in all the
hollow friendship of boon-companionship, some have died, some have
fallen like himself, some have prospered—all have forgotten him. Time
and misfortune have mercifully been permitted to impair his memory, and
use has habituated him to his present condition. Meek, uncomplaining,
and zealous in the discharge of his duties, he has been allowed to hold
his situation long beyond the usual period; and he will no doubt
continue to hold it, until infirmity renders him incapable, or death
releases him. As the grey-headed old man feebly paces up and down the
sunny side of the little court-yard between school hours, it would be
difficult, indeed, for the most intimate of his former friends to
recognise their once gay and happy associate, in the person of the
Pauper Schoolmaster.
CHAPTER II—THE CURATE. THE OLD LADY. THE HALF-PAY CAPTAIN
We commenced our last chapter with the beadle of our parish, because we
are deeply sensible of the importance and dignity of his office. We
will begin the present, with the clergyman. Our curate is a young
gentleman of such prepossessing appearance, and fascinating manners,
that within one month after his first appearance in the parish, half
the young-lady inhabitants were melancholy with religion, and the other
half, desponding with love. Never were so many young ladies seen in our
parish church on Sunday before; and never had the little round angels’
faces on Mr. Tomkins’s monument in the side aisle, beheld such devotion
on earth as they all exhibited. He was about five-and-twenty when he
first came to astonish the parishioners. He parted his hair on the
centre of his forehead in the form of a Norman arch, wore a brilliant
of the first water on the fourth finger of his left hand (which he
always applied to his left cheek when he read prayers), and had a deep
sepulchral voice of unusual solemnity. Innumerable were the calls made
by prudent mammas on our new curate, and innumerable the invitations
with which he was assailed, and which, to do him justice, he readily
accepted. If his manner in the pulpit had created an impression in his
favour, the sensation was increased tenfold, by his appearance in
private circles. Pews in the immediate vicinity of the pulpit or
reading-desk rose in value; sittings in the centre aisle were at a
premium: an inch of room in the front row of the gallery could not be
procured for love or money; and some people even went so far as to
assert, that the three Miss Browns, who had an obscure family pew just
behind the churchwardens’, were detected, one Sunday, in the free seats
by the communion-table, actually lying in wait for the curate as he
passed to the vestry! He began to preach extempore sermons, and even
grave papas caught the infection. He got out of bed at half-past twelve
o’clock one winter’s night, to half-baptise a washerwoman’s child in a
Public-domain text, read in full here on John Shaqi.
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