Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The peculiar character of these streets, and the close resemblance each
one bears to its neighbour, by no means tends to decrease the
bewilderment in which the unexperienced wayfarer through ‘the Dials’
finds himself involved. He traverses streets of dirty, straggling
houses, with now and then an unexpected court composed of buildings as
ill-proportioned and deformed as the half-naked children that wallow in
the kennels. Here and there, a little dark chandler’s shop, with a
cracked bell hung up behind the door to announce the entrance of a
customer, or betray the presence of some young gentleman in whom a
passion for shop tills has developed itself at an early age: others, as
if for support, against some handsome lofty building, which usurps the
place of a low dingy public-house; long rows of broken and patched
windows expose plants that may have flourished when ‘the Dials’ were
built, in vessels as dirty as ‘the Dials’ themselves; and shops for the
purchase of rags, bones, old iron, and kitchen-stuff, vie in
cleanliness with the bird-fanciers and rabbit-dealers, which one might
fancy so many arks, but for the irresistible conviction that no bird in
its proper senses, who was permitted to leave one of them, would ever
come back again. Brokers’ shops, which would seem to have been
established by humane individuals, as refuges for destitute bugs,
interspersed with announcements of day-schools, penny theatres,
petition-writers, mangles, and music for balls or routs, complete the
‘still life’ of the subject; and dirty men, filthy women, squalid
children, fluttering shuttlecocks, noisy battledores, reeking pipes,
bad fruit, more than doubtful oysters, attenuated cats, depressed dogs,
and anatomical fowls, are its cheerful accompaniments.
If the external appearance of the houses, or a glance at their
inhabitants, present but few attractions, a closer acquaintance with
either is little calculated to alter one’s first impression. Every room
has its separate tenant, and every tenant is, by the same mysterious
dispensation which causes a country curate to ‘increase and multiply’
most marvellously, generally the head of a numerous family.
Public-domain text, read in full here on John Shaqi.
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