Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The man in the shop, perhaps, is in the baked ‘jemmy’ line, or the
fire-wood and hearth-stone line, or any other line which requires a
floating capital of eighteen-pence or thereabouts: and he and his
family live in the shop, and the small back parlour behind it. Then
there is an Irish labourer and _his_ family in the back kitchen, and a
jobbing man—carpet-beater and so forth—with _his_ family in the front
one. In the front one-pair, there’s another man with another wife and
family, and in the back one-pair, there’s ‘a young ’oman as takes in
tambour-work, and dresses quite genteel,’ who talks a good deal about
‘my friend,’ and can’t ‘a-bear anything low.’ The second floor front,
and the rest of the lodgers, are just a second edition of the people
below, except a shabby-genteel man in the back attic, who has his
half-pint of coffee every morning from the coffee-shop next door but
one, which boasts a little front den called a coffee-room, with a
fireplace, over which is an inscription, politely requesting that, ‘to
prevent mistakes,’ customers will ‘please to pay on delivery.’ The
shabby-genteel man is an object of some mystery, but as he leads a life
of seclusion, and never was known to buy anything beyond an occasional
pen, except half-pints of coffee, penny loaves, and ha’porths of ink,
his fellow-lodgers very naturally suppose him to be an author; and
rumours are current in the Dials, that he writes poems for Mr. Warren.
Now anybody who passed through the Dials on a hot summer’s evening, and
saw the different women of the house gossiping on the steps, would be
apt to think that all was harmony among them, and that a more primitive
set of people than the native Diallers could not be imagined. Alas! the
man in the shop ill-treats his family; the carpet-beater extends his
professional pursuits to his wife; the one-pair front has an undying
feud with the two-pair front, in consequence of the two-pair front
persisting in dancing over his (the one-pair front’s) head, when he and
his family have retired for the night; the two-pair back will interfere
with the front kitchen’s children; the Irishman comes home drunk every
other night, and attacks everybody; and the one-pair back screams at
everything. Animosities spring up between floor and floor; the very
cellar asserts his equality. Mrs. A. ‘smacks’ Mrs. B.’s child for
‘making faces.’ Mrs. B. forthwith throws cold water over Mrs. A.’s
child for ‘calling names.’ The husbands are embroiled—the quarrel
becomes general—an assault is the consequence, and a police-officer the
result.
CHAPTER VI—MEDITATIONS IN MONMOUTH-STREET
Public-domain text, read in full here on John Shaqi.
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