Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
Then why have they been swamped by cabs and omnibuses? Or why should
people be allowed to ride quickly for eightpence a mile, after
Parliament had come to the solemn decision that they should pay a
shilling a mile for riding slowly? We pause for a reply;—and, having no
chance of getting one, begin a fresh paragraph.
Our acquaintance with hackney-coach stands is of long standing. We are
a walking book of fares, feeling ourselves, half bound, as it were, to
be always in the right on contested points. We know all the regular
watermen within three miles of Covent-garden by sight, and should be
almost tempted to believe that all the hackney-coach horses in that
district knew us by sight too, if one-half of them were not blind. We
take great interest in hackney-coaches, but we seldom drive, having a
knack of turning ourselves over when we attempt to do so. We are as
great friends to horses, hackney-coach and otherwise, as the renowned
Mr. Martin, of costermonger notoriety, and yet we never ride. We keep
no horse, but a clothes-horse; enjoy no saddle so much as a saddle of
mutton; and, following our own inclinations, have never followed the
hounds. Leaving these fleeter means of getting over the ground, or of
depositing oneself upon it, to those who like them, by hackney-coach
stands we take our stand.
There is a hackney-coach stand under the very window at which we are
writing; there is only one coach on it now, but it is a fair specimen
of the class of vehicles to which we have alluded—a great, lumbering,
square concern of a dingy yellow colour (like a bilious brunette), with
very small glasses, but very large frames; the panels are ornamented
with a faded coat of arms, in shape something like a dissected bat, the
axletree is red, and the majority of the wheels are green. The box is
partially covered by an old great-coat, with a multiplicity of capes,
and some extraordinary-looking clothes; and the straw, with which the
canvas cushion is stuffed, is sticking up in several places, as if in
rivalry of the hay, which is peeping through the chinks in the boot.
The horses, with drooping heads, and each with a mane and tail as
scanty and straggling as those of a worn-out rocking-horse, are
standing patiently on some damp straw, occasionally wincing, and
rattling the harness; and now and then, one of them lifts his mouth to
the ear of his companion, as if he were saying, in a whisper, that he
should like to assassinate the coachman. The coachman himself is in the
watering-house; and the waterman, with his hands forced into his
pockets as far as they can possibly go, is dancing the ‘double
shuffle,’ in front of the pump, to keep his feet warm.
Public-domain text, read in full here on John Shaqi.
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