Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
We never see any very large, staring, black Roman capitals, in a book,
or shop-window, or placarded on a wall, without their immediately
recalling to our mind an indistinct and confused recollection of the
time when we were first initiated in the mysteries of the alphabet. We
almost fancy we see the pin’s point following the letter, to impress
its form more strongly on our bewildered imagination; and wince
involuntarily, as we remember the hard knuckles with which the reverend
old lady who instilled into our mind the first principles of education
for ninepence per week, or ten and sixpence per quarter, was wont to
poke our juvenile head occasionally, by way of adjusting the confusion
of ideas in which we were generally involved. The same kind of feeling
pursues us in many other instances, but there is no place which recalls
so strongly our recollections of childhood as Astley’s. It was not a
‘Royal Amphitheatre’ in those days, nor had Ducrow arisen to shed the
light of classic taste and portable gas over the sawdust of the circus;
but the whole character of the place was the same, the pieces were the
same, the clown’s jokes were the same, the riding-masters were equally
grand, the comic performers equally witty, the tragedians equally
hoarse, and the ‘highly-trained chargers’ equally spirited. Astley’s
has altered for the better—we have changed for the worse. Our
histrionic taste is gone, and with shame we confess, that we are far
more delighted and amused with the audience, than with the pageantry we
once so highly appreciated.
We like to watch a regular Astley’s party in the Easter or Midsummer
holidays—pa and ma, and nine or ten children, varying from five foot
six to two foot eleven: from fourteen years of age to four. We had just
taken our seat in one of the boxes, in the centre of the house, the
other night, when the next was occupied by just such a party as we
should have attempted to describe, had we depicted our _beau idéal_ of
a group of Astley’s visitors.
First of all, there came three little boys and a little girl, who, in
pursuance of pa’s directions, issued in a very audible voice from the
box-door, occupied the front row; then two more little girls were
ushered in by a young lady, evidently the governess. Then came three
more little boys, dressed like the first, in blue jackets and trousers,
with lay-down shirt-collars: then a child in a braided frock and high
state of astonishment, with very large round eyes, opened to their
utmost width, was lifted over the seats—a process which occasioned a
considerable display of little pink legs—then came ma and pa, and then
the eldest son, a boy of fourteen years old, who was evidently trying
to look as if he did not belong to the family.
Public-domain text, read in full here on John Shaqi.
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