Sketches from Concord and Appledore: Concord thirty years ago; Nathaniel Hawthorne; Louisa M. Alcott; Ralph Waldo Emerson; Matthew Arnold; David A. Wasson; Wendell Phillips; Appledore and its visitors; John Greenleaf WhittierStearns, Frank Preston
General
Sketches from Concord and Appledore: Concord thirty years ago; Nathaniel Hawthorne; Louisa M. Alcott; Ralph Waldo Emerson; Matthew Arnold; David A. Wasson; Wendell Phillips; Appledore and its visitors; John Greenleaf Whittier
Stearns, Frank Preston
Alcott, Louisa May, 1832-1888; Arnold, Matthew, 1822-1888; Authors, American -- Homes and haunts -- Massachusetts -- Concord; Concord (Mass.); Concord (Mass.) -- Intellectual life -- 19th century; Emerson, Ralph Waldo, 1803-1882 -- Homes and haunts -- Massachusetts -- Concord; Hawthorne, Nathaniel,
There was a certain Dutch artist who made a specialty of sheep, and
painted them so well that Goethe said of him, "This painter so entered
into the life of his subject that I think he must have been a sheep, and
I shall become one if I continue to look at his pictures." In the same
way Hawthorne had such penetrating sympathy for all living things, that
he unconsciously absorbed certain qualities from those with which he was
most familiar. He would sometimes write a letter to his publisher, Mr.
Fields, which was almost like what Mr. Fields would have written to him.
Venomous creatures appeared to have been especially interesting to him,
and he even fancied a poisonous influence in the Roman sunshine. Perhaps
his liking for spiders may account for a certain cobwebby feeling which
comes over one at times while reading his books. There can be no doubt
of this, for when I once spoke of it, a lawyer who was present replied,
"I have said the same myself; and when I was in Paris reading a French
newspaper, I had a feeling as if cobwebs were being drawn across my
face, and looking down to the end of the column, I saw that it was a
translation from Hawthorne." But these peculiarities are like the soil
which gives flavor to the grape, and the wine that comes from the grape.
If the reader thinks that in these few paragraphs Hawthorne has hardly
received proper justice, he may not be far wrong. Yet how can any
personal account of such a man do him justice. It may be said of him
that he was a model husband, a kind father, and an exemplary citizen,
and that is all. During his lifetime there were people who did him great
injustice. His reserved life was looked upon as a morbid selfishness.
The rare publication of his writings was supposed to arise from
indolence. It was thought that he wrote the life of Franklin Pierce for
the sake of a government office, and when he was actually appointed
consul at Liverpool, the case was proved beyond a doubt. The
anti-slavery people looked upon him as a lamentable exception to the
other literary men of America, who were all on their side: they doubted
if he had been born with any sense of right and wrong. What answer can
be made to such accusations? When it is a question of motive, of moral
consciousness, how are such charges to be refuted?
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