Sketches from Memory (From "Mosses from an Old Manse")Hawthorne, Nathaniel
General
Sketches from Memory (From "Mosses from an Old Manse")
Hawthorne, Nathaniel
New England -- Social life and customs -- Fiction; Short stories
We were traversing the “long level,” a dead flat between Utica and
Syracuse, where the canal has not rise or fall enough to require a lock
for nearly seventy miles. There can hardly be a more dismal tract of
country. The forest which covers it, consisting chiefly of white-cedar,
black-ash, and other trees that live in excessive moisture, is now
decayed and death-struck by the partial draining of the swamp into the
great ditch of the canal. Sometimes, indeed, our lights were reflected
from pools of stagnant water which stretched far in among the trunks of
the trees, beneath dense masses of dark foliage. But generally the tall
stems and intermingled branches were naked, and brought into strong
relief amid the surrounding gloom by the whiteness of their decay.
Often we beheld the prostrate form of some old sylvan giant which had
fallen and crushed down smaller trees under its immense ruin. In spots
where destruction had been riotous, the lanterns showed perhaps a
hundred trunks, erect, half overthrown, extended along the ground,
resting on their shattered limbs or tossing them desperately into the
darkness, but all of one ashy white, all naked together, in desolate
confusion. Thus growing out of the night as we drew nigh, and vanishing
as we glided on, based on obscurity, and overhung and bounded by it,
the scene was ghostlike,—the very land of unsubstantial things, whither
dreams might betake themselves when they quit the slumberer’s brain.
My fancy found another emblem. The wild nature of America had been
driven to this desert-place by the encroachments of civilized man. And
even here, where the savage queen was throned on the ruins of her
empire, did we penetrate, a vulgar and worldly throng, intruding on her
latest solitude. In other lands decay sits among fallen palaces; but
here her home is in the forests.
Looking ahead, I discerned a distant light, announcing the approach of
another boat, which soon passed us, and proved to be a rusty old
scow,—just such a craft as the “Flying Dutchman” would navigate on the
canal. Perhaps it was that celebrated personage himself whom I
imperfectly distinguished at the helm in a glazed cap and rough
great-coat, with a pipe in his mouth, leaving the fumes of tobacco a
hundred yards behind. Shortly after our boatman blew a horn, sending a
long and melancholy note through the forest avenue, as a signal for
some watcher in the wilderness to be ready with a change of horses. We
had proceeded a mile or two with our fresh team when the tow-rope got
entangled in a fallen branch on the edge of the canal, and caused a
momentary delay, during which I went to examine the phosphoric light of
an old tree a little within the forest. It was not the first delusive
radiance that I had followed.
Public-domain text, read in full here on John Shaqi.
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