against time. Some kind friends have covered the bank with stones, but
the river is slowly wearing them away, and sooner or later it will claim
its own; and it will be a pity, for Komombos’s temple is dainty in
comparison with Karnak, where great stiff Rameses stand with their arms
folded across their breasts in very much the same manner in which the
real arms are held in the glass case at the Gizeh Museum.
At Karnak there were miles of half-buried walls, and cut deep in them
gigantic figures of Rameses, with one hand raised about to strike off
the heads of enemies done up in bundles like asparagus and held by the
hair of their heads, while armies are shown flying in confusion. The
bas-reliefs at Komombos are more cheerful and cut with greater skill.
They represent the ancient gods of Egypt in their more playful moods,
floating down the Nile, spearing miniature hippopotamuses and
crocodiles, with here and there a triumphant procession. The debris of
the forgotten city that once covered Komombos has been removed, and the
great hall, with its holy of holies now exposed to the light of day, is
swept by the wind as clean as a Dutch kitchen; and yet the carvings are
as fresh as the day they were made. From the _Nitocris_ to the temple
is only a few steps through some sugar-cane. It was a novel experience
to find no donkey-boys with their patient and sleepy donkeys.
But the natives were different from any we had heretofore seen, and
proved that we were getting into real Africa. They were mostly Nubians,
and very black, and our preconceived idea of what an African should be.
Komombos and Philæ are the only temples we climbed up to, and it seems
to me that they, above all others, lend themselves more readily to the
sentimental tourist. It is easier for the imagination to people them;
they are more like dwellings.
[Illustration: Home Visitors.]
After tea had been brought from the _Nitocris_ and served in its
portals, we all decided that Komombos would be the temple to own. That
evening the crew hung lanterns around the deck among the sugar-canes and
palms, and after dinner they gave an exhibition, which started well
enough with a dance by the first mate.
Public-domain text, read in full here on John Shaqi.
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