Sketches in Lavender, Blue and GreenJerome, Jerome K. (Jerome Klapka)
General
Sketches in Lavender, Blue and Green
Jerome, Jerome K. (Jerome Klapka)
Manners and customs -- Fiction; Short stories, English
I picked it up, and, taking it to the window, examined it. It was the
picture of a young girl, dressed in the fashion of thirty years ago--I
mean thirty years ago then. I fear it must be nearer fifty, speaking as
from now--when our grandmothers wore corkscrew curls, and low-cut bodices
that one wonders how they kept from slipping down. The face was
beautiful, not merely with the conventional beauty of tiresome regularity
and impossible colouring such as one finds in all miniatures, but with
soul behind the soft deep eyes. As I gazed, the sweet lips seemed to
laugh at me, and yet there lurked a sadness in the smile, as though the
artist, in some rare moment, had seen the coming shadow of life across
the sunshine of the face. Even my small knowledge of Art told me that
the work was clever, and I wondered why it should have lain so long
neglected, when as a mere ornament it was valuable. It must have been
placed in the book-case years ago by someone, and forgotten.
I replaced it among its dusty companions, and sat down once more to my
work. But between me and the fading light came the face of the
miniature, and would not be banished. Wherever I turned it looked out at
me from the shadows. I am not naturally fanciful, and the work I was
engaged upon--the writing of a farcical comedy--was not of the kind to
excite the dreamy side of a man's nature. I grew angry with myself, and
made a further effort to fix my mind upon the paper in front of me. But
my thoughts refused to return from their wanderings. Once, glancing back
over my shoulder, I could have sworn I saw the original of the picture
sitting in the big chintz-covered chair in the far corner. It was
dressed in a faded lilac frock, trimmed with some old lace, and I could
not help noticing the beauty of the folded hands, though in the portrait
only the head and shoulders had been drawn.
Next morning I had forgotten the incident, but with the lighting of the
lamp the memory of it awoke within me, and my interest grew so strong
that again I took the miniature from its hiding-place and looked at it.
And then the knowledge suddenly came to me that I knew the face. Where
had I seen her, and when? I had met her and spoken to her. The picture
smiled at me, as if rallying me on my forgetfulness. I put it back upon
its shelf, and sat racking my brains trying to recollect. We had met
somewhere--in the country--a long time ago, and had talked of
common-place things. To the vision of her clung the scent of roses and
the murmuring voices of haymakers. Why had I never seen her again? Why
had she passed so completely out of my mind?
My landlady entered to lay my supper, and I questioned her assuming a
careless tone. Reason with or laugh at myself as I would, this shadowy
memory was becoming a romance to me. It was as though I were talking of
some loved, dead friend, even to speak of whom to commonplace people was
a sacrilege. I did not want the woman to question me in return.
Public-domain text, read in full here on John Shaqi.
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