Sketches of Aboriginal Life: American Tableaux, No. 1Vide, V. V.
History
Sketches of Aboriginal Life: American Tableaux, No. 1
Vide, V. V.
Historical fiction; Indians of North America -- Fiction; Mexico -- History -- Conquest, 1519-1540 -- Fiction
Produced by Julia Miller, Rachael Schultz and the Online
Distributed Proofreading Team at http://www.pgdp.net
Transcriber's Note
In the original text, verses in the chapter headings
were typeset in Gothic font; they are displayed below
~like this~. Footnotes are indicated within the text by
a capital letter in brackets (e.g., [A]) and are located
at the end of their respective chapter. Punctuation has
been standardized. For details on typographical
corrections, please refer to the note at the end of the
text.
AMERICAN TABLEAUX,
No. 1.
SKETCHES
OF
ABORIGINAL LIFE.
'Tis like a dream, when one awakes,--
These visions of the scenes of old;
'Tis like the moon, when morning breaks;
'Tis like a tale round watch-fires told.
By V. V. VIDE.
NEW-YORK:
PUBLISHED BY BUCKLAND & SUMNER,
79 JOHN-STREET.
1846.
Entered according to Act of Congress,
in the year 1846, by
BUCKLAND & SUMNER,
in the Clerk's office of the District Court
of the United States, for
the Southern District of New York.
Stereotyped by Vincent L. Dill,
128 Fulton st. Sun Building, N. Y.
C. A. Alvord, Printer, Cor. of John and Dutch sts.
PREFACE.
The American Tableaux lay no claim to the respect and confidence, which
is justly shown to authentic history; nor do they anticipate the ready
favor usually accorded to high wrought romance. They are neither the one
nor the other. The general outline is designed to be historical, and
true to the characters of individuals, and the customs of nations and
tribes; and the drapery in which it is arrayed is intended rather to
illustrate the truth, and place it in bolder relief, than to weaken its
force by irrelevant inventions. It is proposed rather to shade and color
the naked sketches of history, and restore them to their natural setting
and accompaniments, than to alter or distort them. The characters of
history are usually stiff, cold, and statue-like, and their drapery, if
they have any, is of the same marble rigidity with themselves. The
Tableaux would transfer them to canvass in their natural colors,
strongly relieved by a back-ground of familiar scenery and every day
associations, and shaded or lightened, as the case may be, by the
sorrows or joys of social life, and the cares or honors of public
station. It may be presumptuous to hope that all this has been
accomplished. It is safer to say, it has been attempted.
CONTENTS.
THE AZTEC PRINCESS.
CHAPTER I.
PAGE
BIRTH AND EARLY LIFE OF TECUICHPO. 15
Public-domain text, read in full here on John Shaqi.
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