Sketches of Aboriginal Life: American Tableaux, No. 1Vide, V. V.
History
Sketches of Aboriginal Life: American Tableaux, No. 1
Vide, V. V.
Historical fiction; Indians of North America -- Fiction; Mexico -- History -- Conquest, 1519-1540 -- Fiction
It was to one of these fairy gardens that the beautiful Karee retired,
rich in the priceless jewel of freedom, and feeling that a chinampa all
her own, and flowers to train and commune with, was the summit of human
desire. Karee was no common character. Gifted by nature with unusual
talents, she had, though in adverse circumstances, cultivated them by
all the means in her power. Remarkably quick of perception, and shrewd
and accurate of observation, with a memory that retained every thing
that was committed to it, in its exact outlines and proportions, she
was enabled to gather materials for improvement from every scene through
which she passed. Her imagination was exceedingly powerful and active,
sometimes wild and terrific, but kept in balance by a sound judgment and
a discriminating taste. Her love of flowers was a passion, a part of her
nature. For her they had a language, if not a soul. And there was not
one of all the endless varieties of that luxuriant clime, that had not a
definite and emphatic place in the vocabulary of her fancy. The history
of her life she could have written in her floral dialect, and to her,
though its lines might have faded rapidly, its pages would have been
always legible and eloquent. Her attachments were strong and enduring,
and there was that element of heroism in her soul, that she would
unhesitatingly have sacrificed life for the object of her love.
It is not to be wondered at, that, with such qualities of mind and
heart, Karee was deeply impressed with the solemn and imposing
superstitions of the Aztec religion. The rites and ceremonies by which
they were illustrated and sustained, were well calculated to stir to its
very depths, a soul like hers, and give the fullest exercise to her wild
imagination. That pompous ritual, those terrible orgies, repeated before
her eyes almost daily from her infancy, had become blended with the
thoughts and associations of her mind, and intimately related to every
scene that interested her heart, or engaged her fancy. Yet her soul was
not enslaved to that dark and dismal superstition. Though accustomed to
an awful veneration of the priesthood, she did not regard them as a
superior race of beings, or listen to their words, as if they had been
audible voices from heaven. Her spirit shrunk from many of the darker
revelations of the established mythology, and openly revolted from some
of its inhuman exactions. Its chains hung loosely upon her; and she
seemed fully prepared for the freedom of a purer and loftier faith. Her
extreme beauty, her bewitching gaiety, and her varied talents, attracted
many admirers, and some noble and worthy suitors. But Karee had another
destiny to fulfil. She felt herself to be the guardian angel of the
ill-fated Tecuichpo, and her love for the princess left no room for any
other passion in her heart. She therefore refused all solicitations, and
remained the solitary mistress of her floating island.
Public-domain text, read in full here on John Shaqi.
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