Sketches of Aboriginal Life: American Tableaux, No. 1Vide, V. V.
History
Sketches of Aboriginal Life: American Tableaux, No. 1
Vide, V. V.
Historical fiction; Indians of North America -- Fiction; Mexico -- History -- Conquest, 1519-1540 -- Fiction
The vision of the beautiful pythoness had deeply and powerfully affected
the soul of Montezuma; and her closing appeal moved him even to tears.
Though accustomed to the most obsequious deference from all his
subjects, even from the proudest of his nobles, he had listened to every
word of Karee with the profoundest attention and interest, as if it had
been from the acknowledged oracle of heaven. When she ceased, there was
a breathless silence in the hall. The monarch drew his lovely daughter
to his bosom in a passionate embrace. Karee remained prostrate, with her
face to the ground, her heart throbbing almost audibly with the violence
of her emotions. Suddenly, a deep long blast from a distant trumpet
announced the arrival of a courier at the capital. It was a signal for
all the attendants to retire. Tecuichpo tenderly kissing her father,
took Karee by the hand, raised her up and led her out, and the monarch
was left alone.
In a few moments, the courier arrived and entering, barefoot and veiled,
into the royal presence, bowed to the very ground, handed a scroll to
the king, and departed. When Montezuma had unrolled the scroll, he
seemed for a moment, as if struck with instant paralysis. Fear,
astonishment, dismay, seized upon his soul. The vision of Karee was
already fulfilled. The pictured tablet was the very counterpart of her
oracular chant--the literal interpretation of her prophetic vision. It
announced the arrival within the realms of Montezuma, of a band of pale
faced strangers, clad in burnished armor, each having at his command a
beautiful animal of great power, hitherto unknown in that country, that
bore him with the speed of the wind wherever he would go, and seemed,
while he was mounted, to be a part of himself. It described their
weapons, representing them as having the lightning and thunder at their
disposal, which they caused to issue sometimes from dark heavy engines,
which they dragged along the ground, and sometimes from smaller ones
which they carried in their hands. It delineated, faithfully and
skilfully their "water houses," or ships, in which they traversed the
great waters, from a far distant country. The peculiar costume and
bearing of their commander, and of his chiefs, were also happily
represented in the rich coloring for which the Aztecs were
distinguished. Nothing was omitted in their entire array, which could
serve to convey to the eye of the emperor a correct and complete
impression of the appearance, numbers and power of the strangers. It was
all before him, at a glance, a living speaking picture, and told the
story of the invasion as graphically and eloquently, as if he had been
himself a witness of their debarkation, and of their feats of
horsemanship. It was all before him, a terrible living reality. The gods
whom he worshipped had sent these strangers to fulfil their own
irresistible purposes--if, indeed, these were not the gods themselves,
in human form.
Public-domain text, read in full here on John Shaqi.
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