Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central AsiaVámbéry, Ármin
History
Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central Asia
Vámbéry, Ármin
Asia, Central -- Description and travel
The evening in the Khalata desert, when, after having endured for
two days the torments of thirst, I felt, with the last drop of
water, my vital energies gradually ebbing away. Around me were lying
many of my fellow-travellers, suffering, probably, as acutely as
myself, to judge from their wild, haggard looks, and rigid features.
Raising my heavy head with the greatest effort, I met the glance of
those near me. They all seemed to be looking at me with expressions
of bitter resentment, for during the afternoon I had heard the old
ascetic, Kari Messud, repeat several times, "We are, alas! the
propitiatory victims for some great evil-doer who is amongst us in
our caravan." Possibly not one of them referred to me, but I felt,
nevertheless, full of anxiety. Meanwhile the hour of evening prayer
was approaching. Only a few could join in it. The sun was fast
setting, and, as the last rays lit up the unhappy group of sufferers
in that vast desert, I could not help casting a look towards
the spot, where from the horizon he sent his last beams towards
me,--that spot, which we call the west, the beloved west, which I
had little hope to live to see the next morning again; and with
unspeakable sadness I clung to the word 'west;' my half-exhausted
senses revived anew, for with the word returned the thought of
Europe, of my beloved home, my early departure from this world, the
hard struggles of my past life, the wreck of all my aspirations, of
all my pleasant hopes. My heart nearly broke with the burden of this
great sorrow; I longed to weep, but could not. This moment is one of
imperishable memory; the terror of that scene has impressed itself
indelibly on my mind, and whenever my thoughts turn towards the
Khalata desert it will rise and haunt me like a phantom.
II.
The next occasion was during my audience with the emir of Bokhara,
in the palace of Samarkand. This prince, who had been represented
to me as a person of doubtful character, had been severely examining
my countenance as I sat by his side, in order to discover in me
a Frenghi in disguise. The readers of my travels are already
acquainted with a part of the conversation that took place between
us. I hoped to gain him over to our interests, but it cost me a
giant's effort not to betray by my countenance, and especially my
eyes, the excitement within me; and, although I shook and trembled
in every nerve, I was obliged to suppress even the slightest symptom
of fear. An old adept in the part I played, I effectually succeeded
in preventing a blush, or any change of colour, but I did not feel
confident about the result. Let the reader realise my position, when
the emir, after an audience of a quarter of an hour, called to him
one of his servants, cautiously whispered something in his ear, and,
motioning to me with a serious expression of countenance, ordered me
to follow his attendant.
Public-domain text, read in full here on John Shaqi.
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