Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central AsiaVámbéry, Ármin
History
Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central Asia
Vámbéry, Ármin
Asia, Central -- Description and travel
What the dervishes are able to do during the ecstacy caused by
_Zikr_, I had once an opportunity of witnessing in Samarkand. In
Dehbid, close to the tomb of the Makhdun Aazam, one of these howling
companies had grouped themselves around the Pir (chief) of that
district. At first they contented themselves with repeating the
formula in a natural tone of voice, and almost in measured time.
The chief was lost in the deepest thought; all eyes and ears were
fixed upon him; and every motion of his hand, and every breath he
drew, was audible, and encouraged his followers to utter wilder and
louder ejaculations. At last he seemed to awake from his sleep-like
reflections, and as soon as he raised his head all the dervishes
jumped up from their seats like possessed beings. The circle was
broken, and the different members began to dance in undulating
motions; but hardly did the chief stand upon his feet than the
enthusiastic dancers became so terribly excited that I, who had
to imitate all their wild antics, became almost frightened. They
were flying about, constantly dancing, right and left, hither and
thither, some leaving the soft meadow and getting upon the rough
stones, constantly dancing, till the blood began to run freely from
their feet. Still they kept on their mad excitement, till most of
them fell fainting to the ground.
In a country like the East, where such social relations exist, and
where we meet with such amusing extremes, the dervish or beggar,
though placed at the very bottom of the social scale, often enjoys
as much consideration as the prince who reigns over millions and
disposes of immense treasures. Man, an unresisting plaything in the
powerful hand of Fate, can, if Destiny wills it, be transported
from one extreme to the other, of which history furnishes us with
numerous instances; and as in fiction we see with pleasure the
two antipodes--the king, Shah-ü Keda, and the beggar, brought
into close propinquity--even so we often find a ragged and dirty
dervish, covered with vermin, sitting on the same carpet with a
magnificently-dressed prince, and engaged with him in familiar
conversation, nay, often drinking with him out of the same cup.
European travellers view such a _tête-à-tête_ with surprise, and
even sometimes with a feeling of amusement; but in the East it is
considered as quite natural. For, says the oriental moralist, the
king must see in the glaring contrast between him and his neighbour
the vanity of earthly splendour, and banish from his mind all
feeling of pride; while the dervish discovers beneath the pompous
dress of the prince a mere mortal man, and mindful of the vanity of
sublunary things, laughs at the farce of life.
Public-domain text, read in full here on John Shaqi.
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