Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central AsiaVámbéry, Ármin
History
Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central Asia
Vámbéry, Ármin
Asia, Central -- Description and travel
[3] Kalentor is a corruption of the old Persian Kelanter the
greater. In eastern Persia the title is still given to the judges of
villages.
[4] Kuddus is derived from Kud, to become mad. Thus, the Arabs call
the dervishes Medjnun, _i.e._, insane.
[5] Keshkul is a vessel formed of half a cocoa nut,--the _vade
mecum_ of the dervishes,--in which he plunges all the food he has
collected by begging, whether dry or fluid, sweet or sour. Such a
dish of _tutti frutti_ would but ill suit our gastronomers; and yet
how delicious it tasted to me after a long day's march.
The arrival of one of these fakirs in a lonely group of tents
is regarded as a joyful event, or almost a festival; it is of
especial importance in the eyes of the women; and the time of his
arrival is differently interpreted. Early in the morning signifies
the happy birth of a camel or a horse; at noon a quarrel between
husband and wife; and in the evening a good prospect of marriage to
the marriageable daughters. The dervish is generally taken in hand
by the women, and is well supplied with the best things the tent
contains, in hopes that he may be tempted to produce from beneath
his battered dress some glass beads, or other talisman. Alms, which
amongst the nomads seldom consist of money, are rarely denied him;
and he often receives an old carpet, a few handfuls of camel hair or
wool, or an old garment. He may also stop with the family for days,
and move about with it without his presence becoming a burden. If
the dervish possesses musical talent, _i.e._, able to sing a few
songs and accompany himself on the two stringed instrument called
dutara, he is made much of, and has the greatest difficulty in
getting away from the hospitable host.
Public-domain text, read in full here on John Shaqi.
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