Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central AsiaVámbéry, Ármin
History
Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central Asia
Vámbéry, Ármin
Asia, Central -- Description and travel
Bokhara, the focus of Tartar civilization, possesses beyond a doubt
much to remind one of a capital, particularly when a man enters it
as a traveller, coming immediately from a journey of many weeks
through deserts and solitudes. As for the luxury of its dwellings,
its dresses, and manner of living, that hardly merits attention at
all when compared with what is to be seen in the cities of Western
Asia. Still it has its peculiarities, which prevent one wondering so
much that habit and partiality dispose the Bokhariot to be proud of
his native city.
The houses, built of mud and wood, present, with their crooked
paintless walls, a gloomier appearance than the dwellings of other
Mohammedan cities. On entering the court through the low gateway,
one fancies oneself in a fortress. On all the sides there are high
walls, which serve as a protection, not so much against thieves as
against the amatory oglings of intriguing neighbours. In Bokhara,
the most shameless sink of iniquity that I know in the East, a
glance even from a distance is regarded as dishonouring! The
number of the separate apartments varies with the fortune of the
proprietor. The more important part of them comprises the harem,
styled here Enderun (the inner penetralia), the smaller room for
guests, and the hall for receptions. This last is the most spacious,
as well as the most ornamented apartment in the house, and, like
the other rooms, has a double ceiling, with a space between used as
a store-room. The floor is paved with bricks and stones, and has
only carpets round the sides near the walls. Rectangular stones,
which have been hollowed out, are placed in a corner--a comfortable
contrivance enabling the owner to perform the holy ablutions in the
room itself. This custom is met with in no other Mohammedan country.
The walls have no particular decorations; those, however, which are
nearest to Mekka are painted with flowers, vases, and arabesques
of different kinds. The windows are mere openings, each with a pair
of shutters. Glass is seen nowhere, and few take the trouble to use
paper smeared with fat as a substitute. Articles of furniture, still
rarities throughout the East, are here scarcely known by name; but
this need not excite surprise, for often have I heard Orientals who
have visited Europe exclaim: "Is not that a stupid custom among the
Frengi, that they so crowd their handsome, spacious rooms with such
a heap of tables, sofas, chairs, and other things, that they have
hardly place left to seat themselves in any comfort!" Of course
meaning on the ground.
Public-domain text, read in full here on John Shaqi.
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