Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central AsiaVámbéry, Ármin
History
Sketches of Central Asia (1868): Additional chapters on my travels, adventures, and on the ethnology of Central Asia
Vámbéry, Ármin
Asia, Central -- Description and travel
The expenditure upon the wardrobe is on a footing with the style of
each house and its arrangement. Cloth is rarely met with: it serves
for presents from the Khan to his officials of high rank. Different
qualities of the Aladja (cotton) are employed by all classes, from
king to dervish, for winter and summer. Although the Bokhariot
over-garment has the form of a night-dress extending down to the
ankles, still it is subject from time to time to little innovations
as to cut, sleeve, collar, and trimming, in accordance with the
fashion of the moment, which is as much respected in Bokhara as in
Paris. A dandy in the former city takes especial care to have his
turban folded according to the idea in force at the moment, as an
evidence of good taste. He sees particularly to his shawl, by which
he binds his trousers round the loins, and to his koshbag suspended
to that shawl. The koshbag is a piece of leather consisting of
several tongues, to which are fastened a knife or two, a small
tea-bag, a miswak (toothpick), and a leathern bag for copper money.
These articles constitute the indispensables of a Central Asiatic,
and by the quality and value of each is a judgment formed of the
character and breeding of the man.
Whoever may wish to see the _haute volée_, the fashionable world of
Bokhara, should post himself on a Friday, between ten and twelve
o'clock in the forenoon, in the street leading from Deri Rigistan
to the Mesdjidi Kelan, or great mosque. At this time the Ameer,
followed by his grandees, in great state, betakes himself to his
Friday's devotions. All are in their best attire, upon their
best horses; for these, with their splendid housings, serve as
substitutes for carriages. The large, stiff, silken garments of
staring colours are in striking contrast with the high and spurred
boots. But what produces a particularly comic effect is the loose
and waddling gait which all pedestrians studiously put on. Reftari
khiraman (the waddling or trotting step), which Oriental poets find
so graceful, comparing it to the swaying movement of the cypress
when agitated by the zephyrs, and whose attainment is the subject of
careful study in Persia as well as Bokhara, to us Europeans seems
like the gait of a fatted goose floundering on his way home. But
this is no subject for me to jest upon, for our stiff, rapid pace is
just as displeasing to an Oriental eye, and it would not be very
polite to mention the comparison they make use of with respect to us.
It does not excite less wonder on our part when we see the men in
Bokhara clad in wide garments of brilliant colour, whereas the women
wear only a dress that is tight to the shape, and of a dark hue. For
in this city, where the civilization has retained with the greatest
fidelity its antique stamp of Oriental Islamism, women, ever the
martyrs of Eastern legislation, come in for the worst share.
Public-domain text, read in full here on John Shaqi.
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