In Turkey the contact with Christian elements has already introduced many innovations, and the Yaschmak (veil) is rather treated as part of the toilette than as the ensign of slavery. In Persia the women are tolerably well muffled up, still they wear the Tchakshur (pantaloons and stockings in one piece) of brilliant colouring and silken texture, and the Rubend (a linen veil with network for the eyes) is ornamented with a clasp of gold. In Bokhara, on the other hand, there is not a trace of tolerance. The women wear nothing that deserves to be named full dress or ornament. When in the streets, they draw a covering over their heads, and are seen clad in dark gowns of deep blue, with the empty sleeves hanging suspended to their backs, so that observed from behind, the fair ones of Bokhara may be mistaken for clothes wandering about. From the head down to the bosom they wear a veil made of horsehair, of a texture which we in Europe would regard as too bad and coarse for a sieve, and the friction of which upon cheek or nose must be anything but agreeable. Their _chaussures_ consist of coarse heavy boots, in which their little feet are fixed, enveloped in a mass of leather. Such a costume is not in itself attractive; but even so attired, they dare not be seen too often in the streets. Ladies of ranks and good character never venture to show themselves in any public place or bazaar. Shopping is left to the men; and whenever any extraordinary emergency obliges a lady to leave the house and to pay visits, it is regarded as _bon ton_ for her to assume every possible appearance of decrepitude, poverty, and age.