Sketches of imposture, deception, and credulityDavenport, R. A. (Richard Alfred)
History
Sketches of imposture, deception, and credulity
Davenport, R. A. (Richard Alfred)
Common fallacies; Impostors and imposture
Lauder had been sanguine in his hopes that the unreserved confession
would atone for his guilt, and that his subscription for a new
edition of “Sarcotis,” and “Adamus Exul,” would meet with the same
encouragement as at first; but the anxiety of the public to see them
was at an end, and the design of reprinting them met with little
or no success. Thus, grown desperate by disappointment, with equal
inconsistency and imprudence he renewed his attack upon the author of
Paradise Lost, and then gave the world, as a reason which excited him
to continue his forgeries, that Milton had attacked the character of
Charles the First; by saying, that that king had interpolated Pamela’s
prayer from the Arcadia, in the Icon Basilike. He also scrupled not to
abuse most unjustifiably Dr. Douglas, as the first exposer of his own
forgery.
Lauder afterwards went to Barbadoes, and died there in great poverty in
the year 1770.
Early in the eighteenth century (1704) there was published, in London,
a history of the island of Formosa, off the coast of China, accompanied
by an extraordinary narrative of the author, who went under the name of
George Psalmanazar, and who, from the idolatries of his own country,
represented himself to have become a convert to Christianity.
The description of Formosa was given with such apparent fidelity,
the manners and customs were illustrated with so many engravings of
the houses, modes of travelling, and shipping, and specimens of the
language and written character so philologically explained, that,
though some few persons of superior penetration looked upon the work
as an imposture, the belief was almost general of the truth of the
history, which was considered the more interesting, as the country
described in the volume had hitherto been so imperfectly known. There
appeared subsequently, by the same author, “A Dialogue between a
Japanese and Formosan,” about some points of the religion of the times.
Psalmanazar was much noticed, and his ingenuity had several ordeals
to undergo, from the severe examinations and investigations which the
curiosity of his supporters, and the suspicion of his adversaries,
prompted them to make. He had actually invented a Formosan language and
grammar, into which he translated several prayers and short sentences;
also a vocabulary for the benefit of those who should visit that
island. With this, _his native language_, he was naturally supposed
to be familiar, and he must have had an extraordinary and tenacious
memory, not to have laid himself open to more suspicion, in the
several repetitions of his examinations, which were taken down for the
satisfaction of others: he at last, however, confessed that the whole
was a forgery from beginning to end.
Public-domain text, read in full here on John Shaqi.
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