Sketches of imposture, deception, and credulityDavenport, R. A. (Richard Alfred)
History
Sketches of imposture, deception, and credulity
Davenport, R. A. (Richard Alfred)
Common fallacies; Impostors and imposture
About the year 1760, much speculation was excited in the literary
world by the publication of a series of poems purporting to have
been translated by a Mr. Macpherson, from the original Gaelic of the
famous poet Ossian, whose compositions had been handed down from his
own times by oral tradition. The occasion of Mr. Macpherson’s giving
them to the world was as follows:--Mr. Home, author of “Douglas,” in
company with other gentlemen, being at Moffat in the summer of 1759,
met there Mr. Macpherson, then tutor to Mr. Graham; and from him they
heard some specimens of Gaelic poetry, which so much pleased them,
that they begged Mr. Macpherson to publish them in a small volume. He
complied; and this specimen having attracted a good deal of attention,
he proposed to make a tour, by subscription, through the Highlands,
for the purpose of collecting more complete specimens of the ancient
poetry. This journey he performed in 1760, and speedily published the
poems in a more complete form They were received, however, by many
with suspicion; it being thought, from the remoteness of the period
at which they were said to have been produced, that they could not be
genuine.
In 1763; Dr. Hugh Blair wrote a dissertation on the poems of Ossian.
This he sent to his friend David Hume, and requested to have his
opinion as to the authenticity of the poems. In reply, Hume said that
he never heard the dissertation mentioned, where some one or other did
not express his doubt with regard to the antiquity of the poems which
were the subject of it; and that he often heard them totally rejected
with disdain and indignation, as a palpable and impudent forgery.
The absurd pride and consequence of Macpherson, scorning, as he
pretended, to satisfy any body that doubted his veracity, tended much
to confirm the general scepticism: and, added Hume, “if the poems are
of genuine origin, they are in all respects the greatest curiosities
that were ever discovered in the history of literature.”
The first regular attack on the authenticity of Ossian’s poems was made
in 1781, by Mr. Shaw, the author of a Gaelic Dictionary and Grammar;
and it was a vigorous one. He contended, from internal evidence, that
the poems were forgeries; he asserted that many of the Highland persons
who had vouched for their genuineness had never seen a line of the
supposed originals, and that Macpherson himself had constantly evaded
showing them to him; and he maintained, that both the fable and the
machinery of the principal poems were Irish; and that if, as a blind,
any manuscripts had ever been shown, they must have been in the Irish
language, the Earse dialect of the Gaelic never having been written or
printed till, in 1754, Mr. Macfarlane printed a translation of Baxter’s
“Call to the Unconverted.” An answer was attempted by Mr. Clarke, a
member of the Scottish Antiquarian Society; but, though he succeeded
in some points, he failed in his principal object.
Public-domain text, read in full here on John Shaqi.
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