Sketches of imposture, deception, and credulityDavenport, R. A. (Richard Alfred)
History
Sketches of imposture, deception, and credulity
Davenport, R. A. (Richard Alfred)
Common fallacies; Impostors and imposture
It was not till 1810 that the society published the result of the
inquiry which it had set on foot. The answers to the queries were
certainly by no means satisfactory. The report, which was drawn up by
Henry Mackenzie, stated that the committee had directed its inquiry to
two points: firstly, what poetry, of what kind, and of what degree of
excellence, existed anciently in the Highlands of Scotland, which was
generally known by the denomination of Ossianic; and, secondly, how far
that collection of such poetry published by Mr. James Macpherson, is
genuine. On the first point the committee spoke decidedly. It declared
its firm conviction that such poetry did exist; that it was common,
general, and in great abundance; that it was of a most striking and
impressive sort, in a high degree eloquent, tender, and sublime. On the
second point, there was a woful falling off in confident assertion.
“The committee,” says the reporter, “is possessed of no documents to
show how much of his collection Mr. Macpherson obtained in the form
in which he has given it to the world. The poems, and fragments of
poems, which the committee has been able to procure, contain, as will
appear from the article in the Appendix, No. 15, often the substance,
and sometimes almost the literal expression (the _ipsissima verba_)
of passages given by Mr. Macpherson in the poems of which he has
published the translations. _But the committee has not been able to
obtain one poem the same in title and tenor with the poems published
by him. It is inclined to believe that he was in use to supply chasms,
and to give connexion, by inserting passages which he did not find and
to add what he conceived to be dignity and delicacy to the original
composition, by striking out passages, by softening incidents, by
refining the language; in short, by changing what he considered as too
simple or rude for a modern ear, and elevating what in his opinion
was below the standard of good poetry._ To what degree, however, he
exercised these liberties, it is impossible for the committee to
determine. The advantages he possessed, which the committee began its
inquiries too late to enjoy, of collecting from the oral recitation
of a number of persons, now no more, a very great number of the same
poems, on the same subjects, and then collating those different copies,
or editions, if they may be so called, rejecting what was spurious
or corrupted in one copy, and adopting, from another, something more
general and excellent in its place, afforded him an opportunity of
putting together what might fairly enough be called an original whole,
of much more beauty, and with much fewer blemishes, than the committee
believe it now possible for any one person or combination of persons to
obtain.”
Public-domain text, read in full here on John Shaqi.
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