Sketches of imposture, deception, and credulityDavenport, R. A. (Richard Alfred)
History
Sketches of imposture, deception, and credulity
Davenport, R. A. (Richard Alfred)
Common fallacies; Impostors and imposture
This report, published, as it was by persons who were anxious to
establish the authenticity of the poems, seems decisively to prove
that Macpherson was, in fact, the fabricator of the works attributed
to Ossian, or at the least, that he formed a cento from fragments
of ballads and tales, blended with interpolations of his own. The
controversy was, however, continued for some time longer, and much ink
was shed by the believers and infidels; the presumed Gaelic originals
were also at length published; but the believers, nevertheless, daily
lost ground, the public ceased to take an interest in the dispute, and
the question seems now to be finally set to rest.
The Letters of Junius, though not so strictly to be considered as a
literary imposture, have yet excited so much attention and speculation,
both by their matter and the impenetrable mystery in which they have
hitherto been involved, that a brief notice of that which I consider to
be the most successful attempt to discover the real author may not here
be unacceptable.
Mr. G. Chalmers wrote a dissertation, to prove that the author of the
Letters of Junius was a Mr. M’Aulay Boyd; and, certainly, as far as
circumstantial evidence goes, short of direct proof, there appears much
reason for supposing him not far from the truth in his conjectures.
M’Aulay Boyd was born in April, 1746, at his father’s house, Ship
Street, Dublin, and in 1761 was received as a fellow-commoner in the
university of that city. He came to London in 1766, to study the law;
but his propensities carried him oftener to St. Stephen’s than to
Westminster Hall, and he exhibited a wonderful retention of memory, by
reciting perfectly the speeches of the night to his associates in his
club. He became intimate with Burke, Sir Joshua Reynolds, Garrick, and
many other members of the Literary Club.
Public-domain text, read in full here on John Shaqi.
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