Sketches of imposture, deception, and credulityDavenport, R. A. (Richard Alfred)
History
Sketches of imposture, deception, and credulity
Davenport, R. A. (Richard Alfred)
Common fallacies; Impostors and imposture
It is not more than seven years since a Bramin died at Madras, who was
accustomed to perform apparently the difficult feat of sitting on the
air. He did not exhibit for money, but merely as an act of courtesy.
Forty minutes is said to have been the longest time that he ever
remained in this extraordinary situation; the usual time seems to have
been about twelve minutes. An eye-witness thus describes the act and
the preparation for it: “The only apparatus seen is a piece of plank,
which, with four pegs, he forms into a kind of long stool; upon this,
in a little brass saucer or socket, he places, in a perpendicular
position, a hollow bamboo, over which he puts a kind of crutch, like
that of a walking-crutch, covering that with a piece of common hide;
these materials he carries with him in a little bag, which is shown to
those who come to see him exhibit. The servants of the house hold a
blanket before him, and, when it is withdrawn, he is discovered poised
in the air, about four feet from the ground, in a sitting attitude, the
outer edge of one hand merely touching the crutch; the fingers of that
hand deliberately counting beads; the other hand and arm held up in an
erect posture. The blanket was then held up before him, and they heard
a gurgling noise, like that occasioned by wind escaping from a bladder
or tube, and, when the screen was withdrawn, he was again standing on
_terra firma_. The same man has the power of staying under water for
several hours. He declines to explain how he does it, merely saying he
has been long accustomed to do so.”
The Bramin died without communicating his secret, and though attempts
were made to explain it, none of them were satisfactory. It was
asserted by a native that it is treated of in the Shasters, and depends
upon the art of fully suppressing the breath, and of cleansing the
tubular organs of the body, joined to a peculiar mode of drawing,
retaining, and ejecting the breath--an explanation which leaves the
mystery as dark as ever.
Public-domain text, read in full here on John Shaqi.
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